Mal: Which one you figure tracked us? Zoe: The ugly one, sir. Mal: Could you be more specific?

'Out Of Gas'


Buffista Movies 5: Development Hell  

A place to talk about movies--old and new, good and bad, high art and high cheese. It's the place to place your kittens on the award winners, gossip about upcoming fims and discuss DVD releases and extras. Spoiler policy: White font all plot-related discussion until a movie's been in wide release two weeks, and keep the major HSQ in white font until two weeks after the video/DVD release.


Polter-Cow - Jun 09, 2007 6:51:40 am PDT #9014 of 10001
What else besides ramen can you scoop? YOU CAN SCOOP THIS WORLD FROM DARKNESS!

For example, I liked the first Saw film, but had no urge to see 2 and 3.

I actually saw Saw 2 first (which sort of spoiled Saw a little, but no big), and I was surprised by how different they were. The first one is just two guys stuck in a room, and there's a lot more psychology to it. The second is a bunch of people stuck in a house with LOTS of rooms, and there's a lot more creativity to it. I don't know what the third one is like.

I personally am not interested in a work where the author is permitted to create a character and then have randomly selected things happen to them, pointlessly.

So you didn't like Lost in Translation either, huh? *ducks*


Scrappy - Jun 09, 2007 7:17:32 am PDT #9015 of 10001
Life moves pretty fast. You don't stop and look around once in a while, you could miss it.

I think saying there are works where an author doesn't put their own opinions into the plot and characters is disingenous. That's part of writing. Even if the cause and effect isn't overt, it's ALWAYS there. It's there in choosing which actions to put onscreen and which not. It's there in the story's POV--the choice to make The Sopranos from the POV of Tony rather than the FBI or a victim of the Family is a choice which reflects what Chase is trying to say and effects how we feel about Tony.

Pulp Fiction , for another example, is a very moral film. All the gore and motherfuckers make it feel dangerous and dark, but each of the characters is faced with a choice in the film and if they make the morally "right" choice--like going back to rescue Marcellus--they get rewarded. If they make the "wrong" choice--like staying as a hitman after the Miracle--they get punished or killed. The entire film is structured to make a moral point. Tarantino's opinions color every frame, but that's what an author does.

Maybe you meant that creating characters ONLY to make a moral judgement is bad writing, and that can be true. Not always, though--most of Shaw's plays were written to illustrate theories, but he was a wonderful writer nonetheless.


Laga - Jun 09, 2007 7:23:17 am PDT #9016 of 10001
You should know I'm a big deal in the Resistance.

As a side note: I've had nightmares two nights in a row since watching Hostel Part 2.


Polter-Cow - Jun 09, 2007 7:24:54 am PDT #9017 of 10001
What else besides ramen can you scoop? YOU CAN SCOOP THIS WORLD FROM DARKNESS!

Yeah, that's because you DESERVE them.

Hee.


Laga - Jun 09, 2007 7:26:50 am PDT #9018 of 10001
You should know I'm a big deal in the Resistance.

Well... I have been bad. But I haven't had sex lately so I should get to live as long as I don't say, "I'll be right back." uh oh.


Kevin - Jun 09, 2007 7:30:06 am PDT #9019 of 10001
Never fall in love with somebody you actually love.

Hee!


Sean K - Jun 09, 2007 7:54:50 am PDT #9020 of 10001
You can't leave me to my own devices; my devices are Nap and Eat. -Zenkitty

I have to agree with Robin and Bon Bon. The idea that a writer should have no say or opinion, expressed in the work itself, on any character they've created, is ridiculous. That's what all of writing is about.

Also?

I want to hear the characters' stories, not the author's inbred thoughts on the characters' stories.

I'll make a note to stop sleeping with my sister before I write again. Maybe that will help.


Glamcookie - Jun 09, 2007 8:56:28 am PDT #9021 of 10001
I know my own heart and understand my fellow man. But I am made unlike anyone I have ever met. I dare to say I am like no one in the whole world. - Anne Lister

Question: Even though Hostel may not be torture porn, they are definitely marketing it as such. Okay? Not okay?


Nutty - Jun 09, 2007 9:21:03 am PDT #9022 of 10001
"Mister Spock is on his fanny, sir. Reports heavy damage."

I personally am not interested in a work where the author is permitted to create a character and then have randomly selected things happen to them, pointlessly. That's not really art-- that's just life.

Doesn't that also describe horror movies? At least the first 20 minutes? Somebody's got to be Doomed Red Shirt Guy, you know!


Sean K - Jun 09, 2007 11:05:53 am PDT #9023 of 10001
You can't leave me to my own devices; my devices are Nap and Eat. -Zenkitty

Question: Even though Hostel may not be torture porn, they are definitely marketing it as such. Okay? Not okay?

Don't know. Personally? Not so okay. I know I really had a problem with the infamous Captivity billboard.

The ads for Hostel didn't bother me so much, possibly because the victims were men, but I can't say for sure. It still intrigued me at the same time as it put me off.

The ads for Hostel 2 bother me more, again possibly because this time the victims are women, but there's parts of the story hinted at in the ads that also intrigue me (possibly even more than Hostel 1), at the same time it's churning my stomach.

But a lot of horror movies over the years have had similar effects on me. Evil Dead is a perfect example. And at the time it came out, it was very sensational for the graphic, horrific violence in it, and it bothered a lot of people, and many of the victims were women (remember the "raped by a tree" scene?). It put me off at the time, but intrigued me as well. Eventually I saw it, and now it's one of my favorite movies. (Yes, I know this last paragraph is sort of tangential to your question about advertizing, but it's where I rambled to, and now I'm rambling further, so I'll shut up)