I don't know if I mentioned it in-thread at the time, but I also wondered if the name Angel was a reference to the vampire. (Only because I know Wright & Co are BtVS fans.)
'Get It Done'
Buffista Movies 5: Development Hell
A place to talk about movies--old and new, good and bad, high art and high cheese. It's the place to place your kittens on the award winners, gossip about upcoming fims and discuss DVD releases and extras. Spoiler policy: White font all plot-related discussion until a movie's been in wide release two weeks, and keep the major HSQ in white font until two weeks after the video/DVD release.
One of the music guys was called Nick Angel, Jess, so I think it was after him. Cool as hell name.
It's like two vampire detectives in one!
One of the music guys was called Nick Angel
Oh! I missed that.
Saw Bug. felt a little too much like a play in the last half-hour, but other than that it worked very well. Ashley Judd is fabulous. Our friend, Mike Shannon, kicks ass, just as he did in the play. A big surprise to me was Harry Connick Jr. Not only is he Mr. Buff Workoutlington, he is REALLY impressive and scary and believable.
I am sorry that they are marketing this as a horror film instead of a very black comedy'psychological thriller. It's supposed to be disquieting and also sometimes very funny. There were some people in our audience who seemed to be laughing AT moments rather than with them, if you know what I mean. I don't think they realized the writer emant them to laugh, which the rest of us did.
Still, worth a visit.
I can't help wondering if The Vulture entry was the work of a Buffista: Spider-Man 4 Villain contest.
Isn't it funny how often you can tell that the movie was adapted from a play? Something about the dialogue
We talk so much more in theater.
Well, in a play you have to establish everything through dialogue, and it shows when you're ignoring half of the movie's medium-- no action sequences, no location-- nothing visual does any work when the play is adapted to the movie format.
nothing visual does any work when the play is adapted to the movie format.
I would like to think nothing visual does any work when the play is poorly adapted to the movie format.
For some reason I can swear I can hear it in the delivery of the lines, which makes no sense, especially if it's not the stage actors reprising their roles. The most egregious I can think of was Jeffrey and the least-but-still-bothersome was Six Degrees of Separation. I know there's at least one where I was thoroughly impressed, but I can't remember which. Oh, and for sure others I never knew were adaptations in the first place, so I can't cite them for not bothering me.