Hutton had to be the most entertaining actress of the '40s. But then, I didn't even think The Greatest Show on Earth was a bomb.
Didn't deserve Best Picture Oscar, true. But not the worst winner, either. (I'd give that dubious honor to Cimarron.)
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Hutton had to be the most entertaining actress of the '40s. But then, I didn't even think The Greatest Show on Earth was a bomb.
Didn't deserve Best Picture Oscar, true. But not the worst winner, either. (I'd give that dubious honor to Cimarron.)
Hutton is fantastic in Miracle, as is Eddie Bracken. Bracken's fantastic in Hail The Conquering Hero, too, which is also 2nd-rate Sturges, but enough kooky fun to make a viewing worth your while.
I like his face, too -- he can look unearthly beautiful from one angle, and reeeeally creepy from another.
It's taken me a couple of movies to guess it, but I think it's because he is the tiniest bit wall-eyed. When he angles himself to minimize the effect, it's invisible; but then he changes the angle of his head towards the camera and it pops out at you suddenly.
Also, the fact his eyeballs are so prominent you could play marbles with them.
Bracken wasn't going to take the role in Morgan's Creek because he was tired of being upstaged by Hutton. Then Sturges convinced him to do it, and he decided to upstage her for once.
I think knowing that made me like him more in the movie, too.
And actually it might have impressed me more if I hadn't read tons of praise for it beforehand. So if you haven't seen it and want to, expect it to just be kinda okay and then you'll probably really enjoy it!
All right, even if this weren't from the creators of The 40 Year-Old Virgin (with some of the same cast), I think I'd have to see the movie based solely on its use of "End of the Line" in the trailer. The song has been playing in my head all week and I finally figured out it was seeing the trailer last weekend that put it there.
Just got back from seeing Hot Fuzz (which comes out in the US in April) -- it is MADE OF AWESOME.
Dude, it so is. I was laughing so hard in the theatre I thought I broke something. I mean, yes, it's a different film from the sort that SotD is; for me it worked on two levels, as a comedy mocking the buddy cop genre, *and* as a buddy cop film, because it was that good! I was laughing at the cliches they were poking fun at, while still buying in to the plot because it was really good plot! With really good action!
I liked that it worked for me on both levels, because I think it added a different kind of depth to the film as opposed to SotD, which was indeed filled with geekery and in-joke references; there was some of that in HF too, but it was so tight that as much as I was laughing, I was also admiring the filminess of it all, if you can take my meaning. It's possible that you can't, as I think it was buried in there somewhere near the squee and may not be salvaged.
as much as I was laughing, I was also admiring the filminess of it all, if you can take my meaning
No, totally! And not to diss either Spaced or Shaun, which I think were both approaching this level of marrying parody with serious filmmaking, but this is the one where it completely gelled throughout the entire thing.
The relationship between Pegg and Frost in this one just about killed me -- it's played so perfectly on all the levels it can be. On the one hand, the fact that it's clearly a love story automatically makes it a parody of every 1980s homoerotic buddy cop relationship. But by not making any jokes about it (they never trip over each other in a fight scene and accidentally almost kiss, there's no gratuitous "these guys are SO STRAIGHT!" scene where they pick up girls together, etc) it's also a sincerely told love/friendship story on its own terms. It's funny when he goes to buy the peace lily, but it's also very genuinely sweet.
Seriously! All those things and more! I loved that it wasn't just a hilarious mystery, but also that it was a proper mystery, with real-not-only-played-for-laughs action sequences. It was real emotional drama mixed with making fun of exactly that same emotional drama, and that's why I don't really relate it to SOTD--which I loved--because they were going for something different than just mockity hilariousness. They made you care about the characters, about their struggles, and then gave you some fantastic action scenes and car chases to boot. And they didn't shy away from the graphic, either, which was *also* hilarious while being sufficiently disturbing.
Also, my office mate cannot stop saying "Yarp."
A very good thing when housebound? Watching the extended releases of the Lord of the Rings movies. Epic adventure, gorgeous art direction, and cute fellows. So good for what ails one!
My dad and I went to see The Departed at the bargain theater this afternoon. I liked it, but it definitely wasn't as good as Goodfellas (the only mob Scorcese movie I've seen). Dad hated the ending, but as I explained to him, you don't go to a Scorcese movie for a happy ending.
DiCaprio really gave a powerful performance as the good cop on the edge undercover, and Damon was convincingly slimy.as Costello's rat in the force. I didn't see how Wahlberg got the only Oscar nom out of the group, though.