Escape from New York is a MUST. It's FABULOUS. Not underwhelming at all.

So I just now noticed they're making a film version of Mimsy Were the Borogoves. Classic science fiction short story being made into a film.

They can't possibly fuck it up, can they?

::Hugs her copy of Johnny Mnemonic tightly::

Escape from New York is a MUST. It's FABULOUS. Not underwhelming at all.

I've determined after multiple viewings that EfNY was seriously undermined by Carpenter's minimalist score. It's a great style for his horror movies (and I'm convinced he basically force-fed Morricone his ideas for THE THING), but I think it enervates EfNY to a point where I couldn't enjoy it completely on first watching it. A rousing soundtrack would have done wonders for that movie.

but I think it enervates EfNY to a point where I couldn't enjoy it completely on first watching it. A rousing soundtrack would have done wonders for that movie.

I don't know. That pounding, relentless beat sort of sticks with me. It's been years since I've seen it but I had a cousin who had it on laser disc and we watched it about 50 times or so when we were in high school. I may be due for a rewatch.

I'm totally due for a rewatch. It's been too long.

I remain unsullied by Escape From L.A., though.

What's weird to me is how many sci-fi/fantasy movies I adore when I never really read (and still don't read) sci-fi. Some of my favorite movies are The Matrix, Bladerunner, the LoTR trilogy, Blade (kind of really horror, I know) the original Star Wars trilogy, Altered States, the gadgetry of the Bond movies...

But then I also adore a lot of action movies, and have never read a Ludlum book or similar.

I saw Star Wars when I was 7. My cousin introduced me to Burroughs's John Carter of Mars when I was 12 (I read the whole series). But when I was 13, I went to a smart-kid summer camp and took a class on Science Fiction. I was introduced to Bradbury, Heinlein, Asimov, Arthur C. Clark and Vonnegut. I read "Nine Billion Names of God", "Microcosmic God", "He Built a Crooked House", "Harrison Bergeron", "I, Robot" and "Mimsy Were the Borogoves", "A Sound of Thunder" and "Nightfall".

Talk about opening the floodgates.

Now I'm sad again because of all the craptacular film versions of these classics.

I read some short stories for Language Arts classes in junior high by some of those authors, but nothing that stuck out until I read The Hobbit in 8th grade. A year later, I got around to LotR, but that was it until the following year, when I joined a youth group and became friends with one of my mom's co-worker's kids, so we started hanging out at their house occasionally. The co-worker was a big SF fan, so when he found out I liked JRRT, he recommended Clark, Asimov and especially Heinlein. After I stopped with the youth group I lost contact with Renee and also got away from hard-core SF.

But, when I got to college, I took a feminist lit class specializing in SF/Fantasy, so I got into James Tiptree, Jr., CL Moore, and a few other more modern authors, as well as Shelley's Frankenstein, which I definitely recommend reading as an interesting contrast to the 1932 film. I also joined QPB (Quality Paperback Book club) which occasionally recommended classic SF/Fantasy, such as A Canticle for Liebowitz (great book!) and Time and Again (another great book!).

But, I've watched a lot more genre TV/movies than books, starting with Star Wars when I was 10 and on from there.

Harrison Bergeron

My personal favorite.

And, like Johnny Got His Gun, the book that single-handedly set me on my path to become a professional peace activist, Bergeron has fueled my work and my philosophy greatly.

I have carefully avoided seeing either movie. (Sean Astin as Harrison? The Hell?)

Sparky, another film that might qualify for that list of films on International Law is Mother Night with Nick Nolte, about an American spy in Germany during WWII who winds up getting a gig doing Nazi propaganda broadcasts on the radio, then later gets arrested and carted off to Nuremburg to stand trial for war crimes. Good, based on a Vonnegut story, and very depressing. Also deal with themes of identity and responsibility.

This may have been mentioned before...and may not even fit the bill, but I immediately thought of Closet Land, Amnesty International's film with Alan Rickman and Madeline Stowe. Psychological torture and stripping away of personal rights...like whoa.

"Andrew? Are you going to bring me my lemon or do I have to squeeze it from my hat?"