My classic noir is "The Maltese Falcon." The book and the movie both completely revolutionized my perspective on media.
Buffista Movies 5: Development Hell
A place to talk about movies--old and new, good and bad, high art and high cheese. It's the place to place your kittens on the award winners, gossip about upcoming fims and discuss DVD releases and extras. Spoiler policy: White font all plot-related discussion until a movie's been in wide release two weeks, and keep the major HSQ in white font until two weeks after the video/DVD release.
And unrelated: I love the Coens… except for Raising Arizona.
You rule. Seriously, it's so overrated.
I love the Coens… except for Raising Arizona.
I recognize all the words, but this sentence makes no sense.
I want to vote for Murder My Sweet, but that's more because it completely remade Dick Powell's image than because it's noir. So I'll vote for the surprisingly un-urban The Postman Always Rings Twice.
It now appears that Adrienne Shelly was murdered. Over a goddamn noise dispute, of all senseless bullshit.
Shit. That's awful. It's so bizarre to read about things like that happening in real life.
Jesus Christ.
That's just horrible.
My favorite noir are the overripe ones like Sunset Boulevard and Touch of Evil. They're a little too baroque and mannered to qualify as a benchmark. My Ur-Noir would come from a pool of Criss Cross (Burt Lancaster and Yvonne Decarlo), The Killing (Sterling Hayden rules!), Nightmare Alley, The Big Heat, Gun Crazy or Detour.
Maybe The Killing. It's got the fatalism, the downer ending, a great femme fatale (Marie Windsor as the ultimate in castrating bitches), a fascinating plot and great, twisted minor characters like Timothy Carey. Also it's been very influential.
It now appears that Adrienne Shelly was murdered.
Fuck. Fucking humans. They never cease to disappoint me.
It now appears that Adrienne Shelly was murdered.
Messed up, yo.