Nearly everyone in my packed (we had to sit in the fourth row) theatre laughed when Costello bit it . The violence just seemed jarring and I guess the laughter is how people blow off the tension.

As for Dignan I felt like he was watching Costigan...from just out of frame, you know? That's how he ended up being gunny on the spot what with the surgical booties and all ...creepeee.

Posting from my mom's house on hideously slow dial-up, so this is a post-and-run. We watched Dear Frankie last night and I want to recommend it to anyone wanting a really good rainy day movie. It's wonderfully acted by Emily Mortimer and Gerard (yumalicous) Butler and is smart and warm and quirkily Scottish. It was written, produced and directed by women and has strong, unique female characters and a spare and big-hearted script. The young boy who plays the lead icharacter is just lovely. It's one of those films you will watch and instantly want to own, because you know you'll be rewatching it and making all your friends see it.

DF is one of my all time favorites. Another quirky Scots film I like to recommend is Wilbur Wants To Kill Himself. Seriously. It's as sweet as Dear Frankie and the two in a double bill will make you want to hug and squeeze your near and dear.

But why would Dignam watch from out of frame and let everyone get shot at the abandoned building? Everything could have been cleaned up more tidily from there. And I also remember that I wondered what Delahunt was about to tell Costigan before he shuffled the mortal coil.

Pretty sure Delahunt told him, right? Along the lines of, do you know why I didn't tell anyone that you were at the correct address?

(As for the other questions, I don't remember anyone's names anymore, but I assume that everyone we suspect of being a rat was one, that we were supposed to take from it that both sides were heavily infiltrated.)

Did anybody see The Prestige ? I liked it. And I think it doesn't fall into the same trap of "realistic" magic that The Illusionist did, but, maybe kinda sorta fell into a different trap, which may or may not actually be a trap. Worth talking about, anyway.

Delahunt did say that, which lent credance to the later news report and then seriously confused me when Costello said something to the effect that it wasn't true, just what the cops wanted them to think.

That was the moment that led me to bon bon's second point that everyone was crooked and had a double life.

I think Costello's comment was persuasive but ultimately not true-- that Delahunt was not a mole-- and was in the movie to keep the heat on Costigan. Otherwise the conversation between Delahunt and Costigan makes no sense.

Did anybody see The Prestige ? I liked it. And I think it doesn't fall into the same trap of "realistic" magic that The Illusionist did, but, maybe kinda sorta fell into a different trap, which may or may not actually be a trap. Worth talking about, anyway.

I haven't seen The Illusionist, but discussing The Prestige will require prodigious amounts of whitefont. Hee. I was sort of whelmed at first, but the more I've discussed it with friends, the more I like it. It's so subtly complex.

That is what I thought...that Costello was a bit deluded about the sanctity of his inner circle .

Ironic in the extreme considering he was playing both ends of the field .

As for ita's comment on Dignan... I can't imagine why he would allow the warehouse shootings to happen if he could have stopped them. Then again, perhaps he didn't care beyond his devotion to the Martin Sheen character. I confess, I'm totally making that up...because I want to have faith in at least one character and because there is no other excuse. Then again, perhaps, like The Bad Lieutenant there simply ARE no good cops in that universe.