Yeah. And then have the characters stand around, not sure what to do. (Except that territory has already been mined by Pirandello.)
And of course, Aruthur and his men being saved when the animator dies of a heart attack.
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Yeah. And then have the characters stand around, not sure what to do. (Except that territory has already been mined by Pirandello.)
And of course, Aruthur and his men being saved when the animator dies of a heart attack.
And of course, Aruthur and his men being saved when the animator dies of a heart attack.
Hee! I love that.
Mikey, I hear great things about Ong Bak and am definitely going to give it a go.
Oddly enough, The Protector, in retrospect, is making me appreciate Crank more than I did at the time. Not sure what that means except that I like my freaky, violent, jump cut/hallucinatory/chase-y cinema with a bit more humor and a few less endangered haffalumps .
In Reversal of Fortune, the narrator's brain-dead, but she does technically survive the movie.
In Reversal of Fortune, the narrator's brain-dead, but she does technically survive the movie.
Oh gawd. Now I'm imagining movie narration along the lines of Terri Schiavo's Blog....
Terry Schiavo wrote The Path to 9/11!
Hee!
She's also the ghostwriter for Ann Coulter, I bet....
Jack is narrating in Fight Club and he survives.
And there's also the original release of Blade Runner.
A CLOCKWORK ORANGE and FULL METAL JACKET both have surviving narrators (Kubrick had other narrated films, but they were 3rd-person omniscient ones).
As does APOCALYPSE NOW.
Oh, TAXI DRIVER, GOODFELLAS and MEAN STREETS too (although that last one only has it near the beginning).