What do you do with a scurvy privateer?
Buffy ,'Sleeper'
Buffista Movies 5: Development Hell
A place to talk about movies--old and new, good and bad, high art and high cheese. It's the place to place your kittens on the award winners, gossip about upcoming fims and discuss DVD releases and extras. Spoiler policy: White font all plot-related discussion until a movie's been in wide release two weeks, and keep the major HSQ in white font until two weeks after the video/DVD release.
I want a letter of Mark. Maybe the M. It's a very slashy letter. Good for murder. I could do with the k too, though.
Just got back from seeing PotC2. Short form opinion is as follows:
I liked large parts of it, but the story needed to be tightened up by a good twenty percent at least. Losing some of the cool effects shots and trimming some of the exquisitely choreographed action sequences would have helped with that considerably. One should not be thinking "enough already!" during a scene that would otherwise have one on the edge of one's seat. When it comes to the glitz of effects and action, I'd rather have just a few truly memorable sequences that leave me wanting a little bit more.
Snakes On A Plane (Bring It)--the video.
"A letter of marque came from the King / To the scummiest vessel I've ever seen / God damn them all"
t /Barrett's Privateers
There were some nice moments in GoF, and the kids are getting much better as actors, but since it's been years since I'd read the book, I honestly couldn't follow the story. Motivations were unclear, and so many scenes were inexplicable.
I still want to live in Hogwarts, though. Or the Weasley's tent at the World Cup.
And Raq shares my brainworm.
but since it's been years since I'd read the book, I honestly couldn't follow the story
I remember wondering if this would be an issue when I watched it -- it wasn't for me, because I remembered the book well enough, but they definitely chopped out HUGE swathes of plot in order to make room for the big set pieces.
Last night I saw Little Miss Sunshine, which was a huge hit at Sundance, and I think comes out in limited release either this Wednesday or next, and then gradually opens around the country.
It was wonderful. It achieves a perfect balance of an over-the-top hijinks-filled plot with really beautifully grounded performances, so even as you're laughing at the absurdity of the situations, you're always watching real people go through them. Steve Carrell and Toni Collette are SO GOOD in this. Go see it.
That's good to hear. The previews made it look like it could either be really, really funny or a disgustingly whimsical version of a Chevy Chase movie.
I'm just wondering if I can stand Greg Kinnear for that long in a movie without any hope of Geoffrey Rush or Pierce Brosnan killing him.
As someone who's had Goodnight, Good Luck, Miller's Crossing and Hustle's Flow, at home for months without watching them (all very worthy movies, I've told), I empathize SO MUCH.