Simon: Captain... why did you come back for us? Mal: You're on my crew. Simon: Yeah, but you don't even like me. Why'd you come back? Mal: You're on my crew. Why we still talking about this?

'Safe'


Buffista Movies 5: Development Hell  

A place to talk about movies--old and new, good and bad, high art and high cheese. It's the place to place your kittens on the award winners, gossip about upcoming fims and discuss DVD releases and extras. Spoiler policy: White font all plot-related discussion until a movie's been in wide release two weeks, and keep the major HSQ in white font until two weeks after the video/DVD release.


evil jimi - Jul 05, 2006 5:52:16 pm PDT #2683 of 10001
Lurching from one disaster to the next.

At the risk of sounding sycophantic: David Ehrenstein (who we [mostly] all know and [occasionally] love) now has two DVD commentaries to his name. Both are part of the "Masters of Cinema" series by Eureka Video.

The first was the Nicholas Ray movie, The Savage Innocents, [ [link] ]

The second is an 80th Anniversary special edition of F. W. Murnau's Faust. [ [link] ]


DebetEsse - Jul 05, 2006 6:40:00 pm PDT #2684 of 10001
Woe to the fucking wicked.

Sophia, many of the sheep (in the wide shots) are digital. CGI Sheep! I find that entertaining


Volans - Jul 05, 2006 7:12:57 pm PDT #2685 of 10001
move out and draw fire

Finally saw The Aristocrats. Interesting on a whole lotta levels, not least being that the filmmakers, for all that they've been in showbiz, had clearly never made a movie before, not even in college.

One of the few DVDs I've bothered to watch again with the commentary track on.


Frankenbuddha - Jul 06, 2006 3:53:20 am PDT #2686 of 10001
"We are the Goon Squad and we're coming to town...Beep! Beep!" - David Bowie, "Fashion"

Finally saw The Aristocrats. Interesting on a whole lotta levels, not least being that the filmmakers, for all that they've been in showbiz, had clearly never made a movie before, not even in college.

Heh. Penn Jillette has no excuses. While PENN AND TELLER GET KILLED may not be a good movie (though I enjoyed bits of it), it IS a movie (an Arthur Penn movie at that, but definitely part of his declining years).


Sophia Brooks - Jul 06, 2006 4:24:05 am PDT #2687 of 10001
Cats to become a rabbit should gather immediately now here

CGI Sheep!

CUTE CGI Sheep. Although I in particular liked the lamb that Ennis was carrying in a saddle bag.


Tom Scola - Jul 06, 2006 4:28:06 am PDT #2688 of 10001
Remember that the frontier of the Rebellion is everywhere. And even the smallest act of insurrection pushes our lines forward.

Warner will be releasing a Richard Donner cut of Superman II. (Who was fired before he could complete it).


Kalshane - Jul 06, 2006 5:26:04 am PDT #2689 of 10001
GS: If you had to choose between kicking evil in the head or the behind, which would you choose, and why? Minsc: I'm not sure I understand the question. I have two feet, do I not? You do not take a small plate when the feast of evil welcomes seconds.

Warner will be releasing a Richard Donner cut of Superman II. (Who was fired before he could complete it).

Interesting. Of course, having read that, I realized how much of the original Superman II I can't remember as it's probably been close to 20 years since I last saw it.


Tom Scola - Jul 06, 2006 5:27:47 am PDT #2690 of 10001
Remember that the frontier of the Rebellion is everywhere. And even the smallest act of insurrection pushes our lines forward.

KNEEL BEFORE ZOD!!!


evil jimi - Jul 06, 2006 5:28:52 am PDT #2691 of 10001
Lurching from one disaster to the next.

It's hilarious that Donner keeps calling Lester an "Englishman", since Lester was born in Philly and didn't actually go to England until he was an adult.

Donner's an okay director and has made a few good movies but give me Lester any day.


Tom Scola - Jul 06, 2006 5:32:04 am PDT #2692 of 10001
Remember that the frontier of the Rebellion is everywhere. And even the smallest act of insurrection pushes our lines forward.

I thought that Superman II was a better film than its predecessor. But I don't know how much of that is due to the director, or just the inherent lack of exposition and backstory.