I'm never seen Judy Davis be anything less than fierce, comedy or drama. For example, she was amazing as George Sand in the frothy "Impromtu". Oh, wait. There's Adela Quested from "Passage to India", where the character gets overcome by hysteria, but I have to say I've never quite bought her in the role (despite liking her presence in the film very much) because Judy Davis gives out such aura of quiet intelligence and strength that Adela comes across never quite as fragile as she's supposed to be.
Of the younger generation, I'd say Toni Collett consistently comes off as forceful and strong, no matter which role she plays.
If you think Underworld: Evolution is crap, say, "It's crap." But saying that a werewolf/vampire movie is a retread of The Matrix just because the leading lady is in latex sounds stupid.
I'm hoping it's less "crap" and more "deliciously cheesy."
Yes, I'm going for Beckinsale in latex and I don't care who knows it.
Did it start that narrowly? I don't remember.
It started out in two cities and spread in waves. I remember being very, very bitter because you in LA saw it *months* before it reached Charlotte.
I remember being very, very bitter because you in LA saw it *months* before it reached Charlotte.
Hey, don't look at me. I was in Michigan. It's
them
you resent. And rightfully so.
Of the younger generation, I'd say Toni Collett consistently comes off as forceful and strong, no matter which role she plays.
The three movies I associate her most with are Muriel's Wedding, Velvet Goldmine, and The Sixth Sense. In each she struck me as being swept up by events without actually having much agency or applying her will to making choices.
I just saw Underworld 2 and thought it was pretty damn awesome; better than the first.
For me, the Scott Speedman nude scene guarantees that up front.
I remember being very, very bitter because you in LA saw it *months* before it reached Charlotte.
But you and I saw it together in Portland.
