Sleepless in Seattle horror trailer.
Hee.
Dawn ,'Selfless'
A place to talk about movies--old and new, good and bad, high art and high cheese. It's the place to place your kittens on the award winners, gossip about upcoming fims and discuss DVD releases and extras. Spoiler policy: White font all plot-related discussion until a movie's been in wide release two weeks, and keep the major HSQ in white font until two weeks after the video/DVD release.
Sleepless in Seattle horror trailer.
Hee.
Okay, I took a look at the Oscar nominations and of any movie nominated for any category -- I have only seen three:
Batman Begins
Harry Potter and the Goblet of Fire
Pride and Prejudice
How is this possible? Notice how I haven't seen any of the best picture/best director/best actor/best supporting actor/best supporting actress nominations.
I really need to go to the movies more often.
How common is it for the Best Director and Best Picture noms to be completely identical?
Of the entire list, I've only seen Brokeback Mountain and Wallace and Gromit, I think. Oh, and March of the Penquins.
the sinister undertone when Amy's "imaginary" friend Irena appears.
And then doesn't it turn out that she's not actually malevolent? I saw it a couple of times, but it's been years. I remember it being almost Lynch-ian... not much happens, what does happen is ambiguous, and yet it's oddly fascinating.
I usually read this blog for the comics content, but this post makes me want to run and see both movies, even more than usual.
I think it is fairly common for best picture and best director noms to be identical because I've read remarks in the past couple of years to the effect that it's fairly unusual for Best Picture to not nab Best Director too.
who are you people? i adore Crash. it's probably in my top ten favorite movies ever.
how did they determine who was lead and who was supporting actor for Brokeback Mountain? i suppose i agree that it was more Ennis' story than Jacks', but...
I have Crash on DVD. I'ma watch it this weekend. I talked to Former Boss, who gets the Academy Screeners. I told her I always miss her the most this time of year.
I loved Crash, anvils and all. I'm glad Matt Dillion got a nom.
Recently watched movies include: Broken Flowers and while I liked most of it, the ending was LAME. I didn't expect that. Also watched Lord of War--which was also lame. I DID expect that.
I've seen a clip of the sex scene from Underworld Evolution online. I'm going to a matinee tomorrow while Owen's at the sitter.
I really need to get that Val Lewton DVD set.
Guess what I got for xmas.
I particularly love "Curse of the Cat People" because it's so very peculiar.
It is that. And both you and Matt are correct that (a) it has a sinister undertone and (b) nothing much happens. It's a very short movie, and the very first directorial credit for Robert Wise. He was interviewed before he died about it, and they ran it after his death this fall on TCM. He had an amazing career. I know the auteur theorists had a low opinion of him, but he did so many cool movies! Shit, he was an editor on Citizen Kane. He did The Haunting! Curse of the Cat People! Worked with Val Lewton and Orson Welles! Cool noirs too.
Hipsters just couldn't forgive him for Sound of Music.