That's a lot of my Grease irritation, although she wasn't quite a font of quirk. But it's the peer pressure remodel that grates.
This. (and why is the remodel always a blandification?)
There is also a certain thrall to the young Mary Stuart Masterson. IJS.
And this.
And I actually like the soundtrack for SKoW about as much as the soundtrack for PiP.
There is also a certain thrall to the young Mary Stuart Masterson. IJS.
This. Fuck Eric Stoltz, I wanted to be MSM.
Fuck Eric Stoltz, I wanted to be MSM.
Well, being MSM should help with fucking Stoltz.
Uh, story-wise.
This. (and why is the remodel always a blandification?)
Didn't Sandy get remodelled from a bland Sandra Dee stereotype into an edgy leather-wearing temptress?
Yes, she totally changed who she was so the fucko greaser would love her, because obviously he wouldn't if she didn't tart herself up.
t issues
Didn't Sandy get remodelled from a bland Sandra Dee stereotype into an edgy leather-wearing temptress?
Yep. I always thought the message of that movie was "put out" not "conform". Equally offensive, but for very different reasons.
Wasn't smoking one of the new things she was doing? I wouldn't put it past the studios to digitally edit that out if they ever do a big re-release again.
But he changed too. Not just her.
He did, but then he unchanged. Hence, the removal of the letterman's sweater. If he's have just kept it on...
I may be projecting my bad mood onto John Travolta. Effer.
True...and he could still pass more easily than she could in the torpedo bra.
But I always kind of thought that was about love helping them find stuff they already had.
Have I been wrong all this time?