Willow ,'Beneath You'
There's a lady plays her fav'rite records/On the jukebox ev'ry day/All day long she plays the same old songs/And she believes the things that they say/She sings along with all the saddest songs/And she believes the stories are real/She lets the music dictate the way that she feels.
Or maybe they just tracked what singles were being added to jukeboxes instead of actual play.
That's it. They tracked the 45s requested and how often they were replaced. I read an article about it a few years ago in - and this may not be right, but I want to say - the Oxford American.
So lots of southern blacks grew up listening to country music because it was so pervasive.
I remember my next door neighbor growing up, a native of High Point, NC, with stacks of Ray Charles 45s and listening to "I Can't Stop Loving You." I do have the Complete Atlantic Recordings but that only chronicles from '52-'59, IIRC ::pauses to check:: yep--just through '59, although I would guess that even some of those tracks would continue to get airplay depending on popularity.
I'm not worried so much about jukebox-- the section of the MS this references would deal almost exclusively with radio play.
and there were also lots of regional radio hits.
See, this is the kicker- I guess I'ma gonna start Googling for some of the old AM stations out of Biloxi and New Orleans and seeing what directions they lead me.
Damn, but you've gotta love Wikipedia-- I already had the Hot 100, Hec, but hadn't thought to go looking for country music by the year. Thank you so much-- it gives me a lot of places to start, which is exactly what I like.
Also noting that the South was not monolithic. In the Carolinas, you're going to see a big beach music scene. In the Delta area of Mississippi, you're probably going to see more Memphis and possibly New Orleans influence.
I don't know how much Reel Radio would have from the Mid-South in the mid-'60s, but it's a place to look.
Soulsville U.S.A.: The Story Of Stax Records (Paperback)
Yea? Nay?
Also noting that the South was not monolithic. In the Carolinas, you're going to see a big beach music scene. In the Delta area of Mississippi, you're probably going to see more Memphis and possibly New Orleans influence.
Exactly-- which is why I was specific in saying Delta region (I did say that, right? I know I meant to.)
That's why I mentioned the Delta, Barb. My experience is New Orleans and North Carolina.
If you're looking for soul/R&B in New Orleans at the time, you want to look at Irma Thomas. She was remembered very, very fondly in the oldies venues when I was there (early '80s) but had never really broken out nationally.
If you're looking for soul/R&B in New Orleans at the time, you want to look at Irma Thomas.
Oooh. ::making note::
Just to give some sort of context-- the MS I'm working on starts in late '64 in New York, moves to L.A., specifically Malibu, throughout the first half of '65, and then there's a road trip which is the section that's giving me fits, from L.A. to Palm Beach-- one of the characters has some very specific memories attached to having been in Mississippi as a Civil Rights activist. Since music can add such huge atmospheric impact, plus act as a trigger, it's really important to me that I get this part of it right, you know?
Second graders raise money to save Coltrane's house: [link]