This years best record is damn hard, mainly because it hasn't been that supergreat. Sleater-Kinney's The Woods and Patrick Wolf's Wind in the Wires are the only two I'm sure would be at the top.

IIRC, the RIAA counts double albums as two units.

:: googles::

Huh.It totally does. I never knew that. I am going on the record as saying that is really dumb. That put's II in second place and I in third sales-wise.

In unrelated news, I am seeing the Mountain Goats tonight. I'd be more excited if I wasn't dealing with the fact that I have to find a new apt. and move in the next two weeks due to having a roommate who is...wait for it...scared of my cat. Still - though - Mountain Goat-y fun this eve.

Huh.It totally does. I never knew that. I am going on the record as saying that is really dumb.

It has to do with price. Originally, a gold record wasn't for units shipped but for $1,000,000 in sales. Eventually, there was a switch, but this is why until the mid-80s it took only 500K albums to go gold vs. 1M singles. Singles were cheaper.

And, actually, it does make sense when you think about box sets. A 10-CD collection is going to cost, in theory, 10X as much as a single CD. (It usually doesn't, but let's ignore that obviousness for a second.) So, if you sell 50,000 box sets, you're selling the same number of discs as a 500,000 selling single CD album.

As a random example, the Doors Box Set is certified platinum, meaning that 250,000 stoned college students and Jim Morrison worshippers have dropped $70 on a four-CD set of songs they already had. If they had to buy them as individual CDs, though, the total combined sales would have been over a million. Therefore, platinum.

BTW, on digital downloads, it's only 100,000 for gold, 200,000 for platinum. iTunes hasn't replaced the CD market... yet.

Zep IV is great and I love Stairway. Overrated? Probably. Overplayed? Definitely. Thought to be much deeper than it is? Of course, how could it not be? And Page ripped it (or at least the beginning) off from John Martyn or some other English folkie and prob'ly ripped the fast section off too: I don't care. It's beautiful. The man had excellent taste in lifting songs.

Love III, too. My tolerance for English folk music is very limited, but as an ingredient in Zep and RT's music it's killer. "Bron-Y-Aur Stomp" is among my favorite Zep songs & "Hats Off to (Roy) Harper" is really friggin' weird. By which I mean the whole sound, not the fact that an ostensible tribute to an English folkie is actually a country blues rip off. Not sure if the credit/blame goes to Page's production or Jones' arrangement.

Interesting, disturbing stuff about New Orleans this week on Le Show. Corwood, you need to listen to this & maybe do a follow up on your blog to your media coverage outrage. Check out This American Life's excellent coverage of Katrina, too. 9/9 and 9/16. Very moving.

Interesting, disturbing stuff about the bomb -- the bomb, Dmitri, the hydrogen bomb -- on Studio 360. I think most of the stuff that really got me is in the Strangelove section. We were really close to nuclear war during the Cuban missile crisis. Listen and blanch. Kurt Andersen and I did. Interesting stuff about what's up with the decommisioned Russian nukes, too. But I don't want to ruin the surprise.

ETA: Almost forgot: Bluegrass Pink Floyd. Did we talk about this? I love this. Don't know how the rest of the album is, but I completely dig this. No, I'm not kidding.

Back on the rap covers by non-rappers, I think I have a new champion. Jonathan Coulton covers "Baby Got Back."

Post: [link]

MP3 is at buffistarawk.

Just this morning I heard on Weekend Edition a cover of LL's My Radio by a group called Halloween Alaska or something like that.

Dang, for once I have something to say in this thread and Jesse beats me...

Hey, you still could have beat me to the link... [link]

Toil and Trouble: Halloween Mix 2005

(some crossovers with my old Transylvania Twist tape, but these are all digital)

I'll post the entire thing at Buffistarawk in pieces so you can each grab your own copy or cherrypick.

Double Trouble - John Williams (from Harry Potter - you know the thing with the chorus and the toads)
At The House Of Frankenstein - Big Bee Kornegay (swinging red hot R&B - one of my faves)
Little Demon - Screamin' Jay Hawkins (poor little existential demon can't understand his own pain)
Mad House Jump - The Daylighters (more vocal R&B)
The Munsters (tv theme)
Undertaker - Southern Culture On The Skids (twangy, moody guitar instro)
Dig It Up - Hoodoo Gurus (a straight up Cramps tribute)
The Haunted Strangler (movie ad)
Swingin' At The Seance - Glenn Miller And His Orchestra (fun swing novelty)
The Headless Horseman - Kay Starr (more swing era horror)
With Her Head Tucked Underneath Her Arm Rudy Vallee & His Connecticut Yankees (more of an English music hall vibe)
I Was A Teenage Werewolf (radio ad for movie)
I Was a Teenage Werewolf - The Cramps (classic! "Braces on my fangs..."
Sinners - Freddie & The Hitch-Hikers (Fire and brimstone preacher early sixties rock style)
Monkey's Paw - House Of Freaks (moody roots rock)
Voodoo Lady - Eric McFadden (moody blues guitar)
Loop Garoo - Dr. John (The doctor in his deep funky freak)
Whistlin' Past The Graveyard - Screamin Jay Hawkins (fantastic cover of the Tom Waits song)
The Bones In The Ground - Robyn Hitchcock (more time in the graveyard)
She Loves Monsters - The Bartlebees (she's an indie rock horror movie fan)
The Astro-Zombies (radio ad for the movie)
She's My Witch- Kip Tyler (rockabilly style)
The Green Slime (movie theme - groovy!)
Mad Monster Party - Maury Laws (from the Rank Bass puppettoon)
Black Sunday (radio ad)
This Is Halloween - Danny Elfman
Zombie King - Emerald Rain Productions (very Elfmanesque)
Vampire Girl - Jonathan Richman (it's not the mascara)
Vampira - Bobby Bare
Marie Celeste - The Polecats (neo rockabilly ode to ghost pirates)
Dark Shadows (tv theme)

Phew, okay they're all up at Buffistarawk.

All well worth owning and I tried to steer clear of the most obvious "Monster Mash" and "Don't Fear The Reaper" selections.