This just in (should I put this in Press?):
From bands at The Bronze in Buffy the Vampire Slayer to Angel
singing karaoke at Caritas to the traditional-style fiddling and guitar playing in Firefly, music is an integral part of Joss Whedon's universes. This collection seeks essays from both established and emerging scholars on the uses of and contributions made by music in the Whedonverse. Discipline-specific and interdisciplinary views are
encouraged to address issues of power, relationships, identity, gender, communication, religion, multiculturalism, sanity and madness, and other topics present in Buffy the Vampire Slayer, Angel, Firefly, and Serenity. Topics might include, but are not limited to:
- Music and performance
- Gender/identity/race and music (including traditional identity topics as well as those of non-human characters)
- Genre representations
- Scoring for action sequences
- Music and communication
- Musical characterization
- Music and camp
- Music and transformation
- Character vocality
- The use of silence and music in unique ways
- Levels and mixing of diegesis and non-diegesis
The deadline for submissions is August 15, 2008. The collection will be published by Scarecrow Press with an anticipated publication date in 2009.
Essays should be between 7,000 and 9,000 words and follow Chicago Manual of Style format. Only electronic submissions sent in a .doc (Word) formats will be accepted. Authors are encouraged to include photographs, but will be responsible for acquiring all materials and permission for use. Please send a cover letter including the title of the essay, an abstract of not more than 200 words, an author c.v, and
author biography of not more than 100 words along with the complete blind essay (author's name should not appear) to Kendra Preston Leonard at caennen_at_gmail.com.
Coincidentally enough, "Coin-Operated Boy" came up just as I started reading the Amanda Palmer discussion. Hee.
I actually have her cover on my computer, but I haven't listened to it yet because I feel like I should listen to the more famous versions first. I've never heard the full song, but I imagine I've heard pieces of it in TV and movies.
does anyone know of any prison/chain gang music that's kinda cool and groovy, sorta like VAST's "Dirty Hole", but not?
I don't know VAST, but there's Devo's cover of "Workin' on a Chain Gang" and the Pretenders' "Back on the Chain Gang".
I had to look up VAST on youtube. These are much more pop that that: 10cc's "Rubber Bullets" and Belle and Sebastian's "White Collar Boy." And then there's also most of the Johnny Cash catalogue. :)
To be more clear, I don't want a song
about
prison, I'm looking for a song that uses samples and remixes of prison/work song (and... not so... bubbly eighties pop. I'm so picky).
I already own several prison CDs and I've already done the search online for songs/albums with prison/penitentiary/chaingang/etc in their titles.
Hmmm, maybe Moby?
Really, there should be more sampling out there, as a lot of the existing recordings are in the public domain AND there's often haunting rhythm/ roots elements in them.
Devo's cover of "Workin' on a Chain Gang"
Isn't that "Workin' in a coal mine"? Of is it a different song?
there should be more sampling out there, as a lot of the existing recordings are in the public domain AND there's often haunting rhythm/ roots elements in them.
Right?
I'm getting to the point where I'm thinking I'll have to attempt my own remix, if'n I can find a colorful instrumental/ambient piece that has a lot of interesting structure without any use of drums/beats that might interfere with the beat existing in something like "Early in the Mornin'" from the Mississippi and Louisiana State Penitentiaries Prisoners, because I don't have the ear for matching the beat of two different songs.
Relatedly, has anyone heard Branford Marsalis' "Berta, Berta"?
Awesome
song.
