Which one, Corwood? For a long time there were no bios, at least not in print in English -- I know because I looked and looked. Then this one and this one came out around the same time. I bought & read both but don't remember much about either. The former's forward by Steve Lacy is a pretty strong recommendation. I can't remember if the book is a translation. The latter definitely is, & I remember it being rather eccentric; don't remember if I found it pleasingly or distractingly eccentric, though. Missed this one completely. Orrin Keepnews, co-founder of Riverside Records and Monk's producer there, wrote near-booklength liner notes for the Monk Riverside box set which he adapted for this collection. I saw it once, but didn't buy it (it was back in the unemployed days) and of course it's now OOP, too. I should probably grab one of the used copies. Weird that a major figure like Monk -- he's a big seller by jazz standards in addition to being one of the music's giants -- has so few critical studies extant (much less in print and in English.)
Doyle ,'Life of the Party'
Buffista Music III: The Search for Bach
There's a lady plays her fav'rite records/On the jukebox ev'ry day/All day long she plays the same old songs/And she believes the things that they say/She sings along with all the saddest songs/And she believes the stories are real/She lets the music dictate the way that she feels.
It's the one with the Steve Lacy forward, which is, as you said, awesome. I could see the text as a poor translation.
The first single off Kate Bush's new album Aerial is now in KEXP's rotation.
It's very... Kate Bush. Back to basics sound for her.
The newest Dar Williams album has a cover of "Comfortably Numb" from Pink Floyd's *The Wall*. I love it; it's a duet with Ani deFranco.
the release today of Thelonious Monk Quartet with John Coltrane at Carnegie Hall.
That sound you just heard? The resounding THUD? Was me hitting the floor as I expired from sheer joy.
Judd Apatow's story of pitching a movie to the Stones with Ben Stiller.
Anyway, before that happened, Ben and I had to fly to Canada to pitch the story to the entire band. Ben was to do the main pitch, and I would fill in the holes. When we sat down with them in a girl's school where they were rehearsing for the tour, I choked and did not say one word. I am not exaggerating. I was silent.
Ben, however, was magnificent. I sat in awe as he told Mick what he would do as director, writer, and actor. At one point Ben said he wanted the movie to have the look of Gimme Shelter, to which Keith Richards replied, "Well, this time let's do it without the murder" and laughed his ass off. They all did. It was like being in the den with the devil.
NYistas should try to see the Shaggs musical this week: [link]
I knew the show had played in Chicago for a while, but I was unaware of this bit:
the band pit included some exciting players: LeRoy Bach of Wilco and David Hilliard from David Byrne's touring band. Musical director was Rick Sims of the Didjits and the Gaza Strippers.
D'oh! I don't think I can. I would have loved to, though. Did you read the great article on them in the New Yorker a few years back? I'm sure we discussed it at the time, but my brain is old and fried.
Oh yeah. Susan Orleans' article. Isn't that what got optioned into a movie?