Is there an address? They mention Allston, but the cartoon on the second link was defintely Kenmore Square (and I don't know of any BU dorms that are actually IN Allston).
'Sleeper'
Buffista Music III: The Search for Bach
There's a lady plays her fav'rite records/On the jukebox ev'ry day/All day long she plays the same old songs/And she believes the things that they say/She sings along with all the saddest songs/And she believes the stories are real/She lets the music dictate the way that she feels.
I'm not sure. I think it was on Comm. Ave. in the BU area.
Just listened to the new Siouxsie solo album. Lots of fun. Less spartan than the Creatures, but not quite like Banshees stuff either. "Here Comes that Day" really seriously needs to be the music for a Bond movie - it fucking ROCKS in that heavy production way. Seriously.
Just listened to the new Siouxsie solo album.
Oh, I am SO jealous. I can't wait to get it.
I saw Joy Division at the Underground -- it was indeed in Allston, on Harvard Ave, I think. It was pretty much an unadorned basement, with the band up on a foot-tall platform at the back of the room. I remember looking aroudn and wondering what would happen if a fire broke out, since I could see only the one door.
I saw Joy Division at the Underground
In your dreams, maybe! They were supposed to play the Underground, but the US tour was cancelled when Ian hanged himself. Unless I'm wrong.
Er, excuse me -- I meant New Order? I think the fact that the article referenced the other band confuzzled me. Or it was the drugs.
Trailer for Todd Haynes I'm Not There.
And a clip with David Cross as Allen Ginsberg, Cate Blanchett as Dylan.
There's a long and interesting article about the film in the NY Times Magazine today. [link]
Fascinating piece, Jon. Particularly for me since a lot of the ideas which occupied me while writing my book are central to Haynes approach to Dylan:
“I will open my mouth in parables,” Haynes copied down from the Gospel of Matthew. “I will utter what has been hidden since the foundation of the world.” He copied down pages and pages of quotes from social commentaries, from folk songs, from Dylan songs. In one of his notebooks, under the heading “governing concepts/themes,” he wrote: “America obsessed with authenticity/authenticity the perfect costume/America the land of masks, costumes, self-transformation, creativity is artificial, America’s about false authenticity and creativity.”
This is something that comes up in Warren Zanes 33 1/3 book about Dusty Springfield too, and I think almost anytime you write about a popular artist you have to confront these notions of persona and authenticity. In America, authenticity is the great beast. Maybe because it allows so much freedom to reinvent yourself.