tommy, Johnny Marr is also in Modest Mouse which is on the road right now, I think. So harder worker than it may appear at first.

Found via WFMU:

Tiny Tim and Eleanor Barooshian (of 60s girl group The Cake) perform the Sonny & Cher hit, I Got You Babe, in a clip from the 1968 film, You Are What You Eat. The music is performed by The Band. >[link]

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More WFMU goodness:

Young, beardless Frank Zappa on the Steve Allen show, 1963.
Part 1
Part 2

So so tempting:

Knitted KRAFTWERK

Xposted from my blog:

I downloaded Joanna Newsom's new EP Joanna Newsom and the Ys Street Band a couple of days ago from eMusic, and I finally sat down last night to listen to it.

And it's a freaking revelation. All you Joanna Newsom-haters who want to know why I love her so much must - nay, MUST - hear this version of "Cosmia". All the songs on the EP are live arrangements, but they've brought some serious intensity here.

First of all, she's obviously taken some sort of voice lessons, because all the little-girl tone is gone, and she's somehow taken her voice, which I always thought interesting and sweet, and brought a level of passion and power to her singing that just blows me away. I say this as a person who rarely gets excited about the human voice.

Then, there's the arrangements. Let me say briefly why I liked Ys. so much: where some Joanna-haters just heard self-indulgence, I heard an attempt to recast American folk music as a much older artform. To explain, consider that The Band was a reflection of American folk and country by a mostly Canadian rock band that took elements of this artform and combined them with a sort of art-rock lens to make music that was completely new but sounded centuries old. Now, over in England, the Fairport Convention, inspired by The Band, decided to do the same with British folk music, only they had, y'know, almost a millenium of music tradition to draw upon. Liege and Lief, their answer to The Band, also blended the old and new in a completely original way, recasting the past as a vital component of folk music moving forward. With this in mind, I think Joanna Newsom's Ys. is a similar work to Susanna Clarke's book Jonathan Strange and Mr. Norrell. Clarke took the literary trappings of Dickens and Trollope, and recast British history as one of fantasy with near-realistic (at least in terms of Victorian literature) terms. Ys. is to American folk music what Jonathan Strange and Mr. Norrell is to British literature and Liege and Lief is to British folk music, an attempt to recast American history as if it had 1,000 years and a folkway of fantasy to draw upon.

Now, Joanna Newsom and the Ys Street Band takes one of the songs from Ys., "Cosmia", and re-arranges it to play up the Appalachian sound. The result is just flat-out gripping, and I barely breathed through its 13 minutes. It starts similar to the album version, just quiet voice and harp, but the other musicians, at first building on Van Dyke Parks' album arrangements before abandoning them, slowly add intensity until by the final chorus, Newsom is almost hollering, a drum is pounding, and the musicians sound like they are about to break their instruments. As I lay in bed last night, listening to this, breathless, I felt like I was discovering her music all over again, with all due excitement.

Knitted KRAFTWERK

OMG, that's adorkable!!!

Aren't they? I bought a few knitted characters from "Shawn of the Dead" from her a year or so ago as a gift for FAQWife. They're awesome!

She should do Devo, with their radiation suits and "energy domes."

Did I mention my brother bought an official Devo "energy dome"? One night we had "silly hat day" for high school pep band at a football game. I wore the energy dome, but the director told me to take it off. Apparently Devo was too subversive for my high school.

That's a lovely review there, Corwood. I'm fond of Joanna. She takes some getting used to, but so many fantastic musicians do.

The energy dome was too subversive for Silly Hat Day?! Oy.