Anybody else imaging AmyLiz singing "Love Editor For Sale" with a really disgruntled look on her face?

Example on how out of it Aimee has been:

I warmed up Em's breakfast fruit in the jar.

With the lid still on.

The METAL lid.

::thump thump thump::

Honey, I know you want to turn the baby into a super hero but that is just no way to go about it.

Also, Betsy inadvertantly earwormed me with "Boy For Sale" from Oliver!

Did you blow out your microwave, Aimee...or what happened?

Nothing, thank goodness. I only nuke it for 7 seconds.

I was getting worried they got lost in the mail somewhere. Glad you like!

I really do. I just looked at the date you mailed it, and it did take forever to get here. The postal service in Menlo Park sucks.

Am back from the 'burbs...got 2.5 hours of sleep last night (had to get up at 4AM to get to the airport!) and then went to work (though got there at 11AM and left at 5:30PM...I'm sure it looked bad, but it's not like I was getting anything done!!). Now am attempting to stay awake for a bit, and then go to bed early.

Nora and Tom's party sounds really fun!!

I'm going to miss Peter Jennings. Sigh.

Raq, I'm sorry the bastards have you over a barrel for the stupid DSL. Dang.

The strawberry mascarpone sorbet sounds really yummy.

Oh, and I like the idea of a buffista cookbook. I'd put in a couple cookie recipes!

Seems to me that you just answered yourself right there. The contests seem to make you doubt yourself and that doesn't seem productive.

Unless, of course, the contest results are revealing a flaw in my writing that somehow isn't revealed in ordinary critiquing. But AmyLiz is certainly the expert here, and I do write out-of-the-box, though not to the degree Diana Gabaldon does. So far I've only actually seen the scoresheets for two of the six contests I've entered, so I don't really know if there's a pattern. In one, all the judges gave me high scores and positive comments, but just not quite high enough to final. In another, I got mediocre scores and comments that amounted to, "You're a very strong writer, but I'm not so sure about this story. It's certainly not what you expect from a Regency, and maybe it's a little too dark."

But yeah, I'm thinking of just giving up on all of them except maybe the Golden Heart, because moving ahead of the Pros in the line to get editor/agent appointments at National, and not just the year you final but forever after, seems worth buying what amounts to a lottery ticket. Plus, I'm using it as an incentive to get the thing finished and at least somewhat edited by the deadline.

But yeah, I'm thinking of just giving up on all of them except maybe the Golden Heart,

Makes a LOT of sense to me, just because the payoff on the GH can be so big. (Not necessarily, though; the GH for Regency this year went to a woman who'd won it twice before, and yet she's still unsold.)

Be warned, though: As of this year, entries to the Golden Heart will get priority if the author also agrees to judge entries. (Get priority if they run out of slots, that is.) I expect this to lead to a flood of judges who can't set aside their own prejudices.