Pulling attitude, expecting to hear the story, demanding of people who are sacrificing to make you happy. Okay, not to make you happy, because you can't hear the story, but you know what they mean.

Yes, my elaborate discussion in three quarters of the post of how much I appreciate the time and effort people put into making podfic clearly indicates my entitled attitude.

Because as you know, I never contribute anything to fandom. Being a leech the way I am.

Oy.

Well, I'm entitled too. Entitled not to raise my normal frustration levels by even trying to listen to something I find difficult to decipher. And I'm entitled to call the people who think recording two concurrent streams of audible words a daring and innovative way to present a story poopyheads.

I made a public post very politely asking podfic readers not to record over music because it makes it hard to follow the story when you do that.

Yes. There is a REASON why professional audiobook recorders don't pull that stunt.

I just love how so many people are all about championing or being aware of the rights and needs of various groups--until it means having to address their own actions. Feh.

Well, I do feel rather entitled to read something written for pleasure without being aggravated. And that has come up in relation to me and ableism because I hate most "outsider" art written with what proponents call "non-traditional" spelling. I mean, yes, occasionally a piece comes out of the slush with such raw energy that you don't care that the writer spells like a LOLCat but mostly I don't think those things are worth it, no matter the number of institutions the writer got sprung from. I have been accused of wanting to censor people for implying that reading stuff like that is a pain in my editorial ass. For a job I don't get paid for. I mean, it's not that I don't understand functioning at long odds...hello? And the occasional spelling error doesn't bother me that much, but wanting to read prose not directly lifted from one's craxyhouse journal does not make me a tool of The Man. Ok, I feel better now.(I love that KOTH where Peggy gets marketed as an outsider artist.) Also shocked that the person didn't say "I'm sorry, Consuela. I thought the music set the mood really well, but I didn't think it would be distracting."

Ugh, I was really enjoying a lengthy fanfic story last night, and then about 7,000 words in the Contrivance Fairy escaped from the closet where she'd apparently been bound and gagged and threw all the good characterization and reasonable progression of plot out the window. I was left wondering if a different author took over writing the second part.

Ah, the dreaded 7K mark. Frankly, that is about the point (plus or minus 3K) where you can't just coast on "wouldn't it be cool if?" and have to start thinking about your plot.

Which is the problem I'm having right now: I have an apocabigbang crossover that is supposed to clock in at over 10K words, and I've only got about 1500 down. I need to think and write instead of just write. It's HAAAARD.

t whines

Haha, Matt. I just hit that point at the 8500 word mark in the fic I'm writing. The MacGuffin, sometimes she is necessary. Or, sometimes, just plain fun to insert into the story, whether something comes of it or not. But, since it's a plot device I'm stealing straight from JJ Abrams, I feel pre-emptively vindicated for using it.

I just hope my beta reader doesn't strangle me.

a plot device I'm stealing straight from JJ Abrams

Clifford?

I'm glad you made the post, Suela, because it's always good to know how other people feel about these things, and it will colour my choices in the future.

You raised quite two separate issues, though: one aesthetic, and one practical.

wrt using music to bookend podfic (or indeed at chapter breaks), that's something which some listeners actively enjoy, and others actively dislike. When I first started downloading podfic, I got a little surge of glee from listening to the snippet of music at the start of Written by the Victors (this being the first time I'd encountered such a thing). It gave me a happy.

When I started recording podfic, I was doing it first and foremost for my own pleasure - so that I could listen to stories I wanted to listen to, and in the way that I wanted to listen to them. I wasn't even uploading them to an archive initially, just making them for myself to listen to while shopping or at the gym or whatever. After the first few recordings, I figured out how to add in music, and since I was recording a PotC fic, and I have a couple of the PotC soundtracks on my computer, I was chuffed to bits by the realisation that I could incorporate some of Hans Zimmer's music in between sections. It really added a lot to my enjoyment of the story.

In the professional audiobooks I'd listened to at that point (only a handful, admittedly, and a hotchpotch of fiction, lectures and dramatisations) music is generally used to bookend things, and often at chapterbreaks. (And, for that matter, it is sometimes used behind speech, as incidental music, at least in the dramatisation/radio play type recordings.) Perhaps this haphazard sample gave me an unrealistic idea of what was normal or acceptable, but as it happened I actively enjoyed the music as a framing device, and once I figured out how to do it myself, I was chuffed to bits.

Making podfics is a particularly selfish form of amusement for me, because I'm definitely recording with my own pleasure in mind rather than out of either charitable impulses or the hopes of finding a wide audience, and although I don't spend as long thinking about the music as a vidder would do, it is a tangible component of the podfic for me. I enjoy it. It shapes how I feel about the whole story, and I've found myself unable to start recording because I've not been able to find the right music to start off with. I've also had a huge number of people email me saying how much they like the inclusion of music, and wanting details of who various songs/pieces are by. I've found loads of artists myself as a direct result of vids (and, latterly, fanmixes) so I enjoy introducing artists to new audiences in my turn, and clearly a lot of people find that the music does enhance their enjoyment.

I totally respect the fact that it isn't to your taste, and I'm not offended by that at all. In light of your post, I will be giving serious consideration on a case-by-case basis to whether or not to use music at chapter breaks, and I'll probably be more strict about ruling it out than I have been. I don't want to slip into doing it just for the sake of it. At present it varies a lot, whether and how I include music within a podfic. In Gerard Way's (Vampire) Detective Agency, for example, in addition to having MCR's 'Vampires Will Never Hurt You' at the start and the end of the podfic to bookend it (for reasons that I'm sure don't need explicating!), I used a few seconds of a song from 'You're A Good Man Charlie Brown' to get a cheerful "biddlybip biddlybip biddlybip" separation between the main narrative and the various 'found texts' with which the author interspersed her story as her form of world-building - flyers informing people how to deal with the arrival of zombies in their neighbourhood, adverts, snippets of The Valet's Guide etc etc. It was a tiny soundbite that put me in mind of old black'n'white newsreel announcements, and it seemed ideal to the purpose; without some kind of aural equivalent to a row of asterisks, it felt awkward going from the main (continued...)