Was that the one when Hutch collapsed and Starsky was cradling him desperately in his arms? Then wrote I love you on the ICU window?

Yes on the desperate cradling, but I'm actually not sure about the ICU thing because that show had so many near-death I love yous. The bullet wounds, the poisonings, the kidnappings, the car accidents, the hotpants...

It was the poisoning one, right. And Starksy desperately searching for the cure.

I wonder if I could stand to track down the DVDs for a glorious wallow in '70s hoyay.

You should check deepdiscount.com (formerly deep discount dvd) and Amazon's blowout sales because sometimes they'll have dvds half off and Starsky and Hutch has been a part of that. Or check ebay.

I've seen S1 and really liked it, definitly slashy. Plus they take their clothes off a lot (or at least their shirts).

If only they didn't have those girls popping up all the time and getting in the way of the One True Love.

Oh, lord, Starsky and Hutch and the Grand Torino are the ancestors of Dean and Sam and the Mettalicar.

S&H is a surprisingly current fandom. It always has reccers on crack_van, and apparently there are still people writing it on a regular basis.

H/C is a staple of the Big Fandom, I think, particularly of the Big Slashy Fandom. SG1, Sentinal, due South, Buffy--even SGA and SPN are making with the Big Slashy Manpain/Manlove. It's not something I read often, and usually if I do it has to break the h/c convention somehow. Generally I find that h/c twists characterization more than I'm comfortable with, in the name of creating a situation that enables the two characters to Realize Their Love in the act of caring. A little too off the mark for me.

I'm thinking of that one really egregiously long SGA story where Rodney ends up in a hospital bed again and again, and John still doesn't buy a clue until the very end. Rodney may have been blind at some point.

It occurs to me that the above description probably isn's specific enough...

I don't actually read a lot of H/C.

Somehow, this hasn't stopped me from writing drawerfulls of it. Wes/Gunn, to be specific.

I blame The Thin Dead Line.

...

...

You know, actually, a lot of my favorite TV moments kind of fall into H/C territory (TWO AXES, PEOPLE!). Perhaps I should get those S&H DVDs.

In Sentinel, it was usually Blair getting raped or beaten up. Every once in a while, he was the victim of domestic violence.

There's not so good h/c, then there's good h/c. I wish I had recs handy.

edit: endless battering of the characters so they can be comforted is not my cup of tea, especially when emotional hurt is tasty, too. The best stories are when there's only one hurt, but it builds up to a big ol' pain that needs comforted.

It is in the eye-rolling about particularly egregious h/c that I have had occasion to explain how catheters work. Hint: if your character is in the hospital, do check to make sure that all the plastic has been removed before attempting the hippy hippy shake.

Let us not speak about who wants to participate in the hippy hippy shake within hours of (a) the technicolor yawn, (b) spinal meningitis, or (c) a gunshot wound to the torso. Ah, fandom!

Those were the days, when you had to be mauled by a tractor to get some everloving comfort. Now it's all psychotherapy and bad childhoods. These kids today! Don't appreciate a good tractor.