Today is Basil Rathbone day on TCM, incidentally. Lots of swashbucklers and Sherlock Holmes.
Tomorrow looks like Sophia Loren day. She made a fair number of crap movies it seems.
Day after is Norma Shearer day. Including the intriguing
Idiot's Delight
(Gable, oddly pro-lefty antiwar movie from 1939 before they squelched that sentiment) and
He Who Gets Slapped
(disturbing Lon Chaney - aren't they all - silent). Plus
The Women
of course.
Spencer Tracy, Randolph Scott, Deborah Kerr and Constance Bennett all have full day schedules coming up too.
The Constance Bennett day has lots of cool pre-code stuff, and also Topper.
Bogie day is Aug. 31st.
Super stylized late existential revenge Noir. Late sixties in SF and LA. Lee Marvin hunts his way up the chain of revenge.
Worth seeing just for the scene where
Angie Dickinson exhausts herself hitting Lee Marvin, and he never flinches.
But there's a lot of cool shit in that movie.
Makes a great double bill with the Don Siegel version of The Killers (with Ronald Reagan as a grey flannel gangster - his last movie, and oh so prescient).
Somebody tell Betsy that
Roberta
is playing on TCM on August 26th at 3am.
Including the intriguing Idiot's Delight (Gable, oddly pro-lefty antiwar movie from 1939 before they squelched that sentiment) and He Who Gets Slapped (disturbing Lon Chaney - aren't they all - silent). Plus The Women of course.
Which makes a hell of a triple feature.
Unfortunately, TCM is also showing the biopic Marie Antoinette, which starts with a too-old-to-play-a-15YO-convincingly Shearer playing a 15YO who's told she's going to marry. A scene that features the all-time camp line, "I'm going to be Queen! Queen of France!" A scene and line that are reprised in flashback at the end of the movie.
But TCM is also showing The Divorcee, which is a worthy early talkie.
Was Norma Shearer really all that, though? I thought she was coasting on being the boss's wife, especially by the end of her career. Very stiff performances.
Was Norma Shearer really all that, though?
Mick Lasalle wrote a whole book about forgotten film actresses of the 30s, with a large focus on Shearer who was a HUGE star at the time. I've seen a fair number of her early films because the played them at pre-Code fests at the Roxie. They're mostly interesting for the kind of character she played, often a Divorcee, liberated, sophisticated etc.
I think that's my problem; I haven't seen very many pre-Code films. The few Shearer films I've seen have been from later in her career, and I just find that whole "elegant lady" style of performance unbearably stiff. I prefer the vitality of Bette Davis and Kate Hepburn.
I just netflixed The Women...next time I rent a classic, I might see if it's on cable first. I liked it, but did not feel the great LOVE of many movie fiends...uh, aficionados. But NS could be proud of that performance, though, I think.
I like MD a lot.
I haven't seen very many pre-Code films
Kathy, pre-Code translates to roughly PG or PG-13 today. Very good at being risque without actually showing anything. (I've seen two recently, Bachelor Apartment and I think Christopher Strong, that imply nonmarital sexual relations by having the characters engage in an offscreen conversation while the camera holds steady on a lamp.)
Think early Mae West. Or anything with Clark Gable and Jean Harlow.
I mean, even adding Oliver Reed's face to Gladiator supposedly cost $3 million, and that was fake looking and in a couple scenes!
Note to producers: if you are going to create a freakishly creepy digital life mask of your recently departed elder statesman movie star and have it act in his stead, try to avoid doing so in scenes where his face will be shown in extreme close-up and therefore roughly the size of Godzilla's relative to the movie audience.
