"Plllbbbbbbbbt"

Now I'm singing "Strawberry Girl" to myself, although I am unaware of Spring's preferred gender. Also, strawberries are yummy.

Anyone seen Silver City? I watched it last night and it is noirish and rambling. I was pretty much watching for Maria Bello, but Chris Cooper's GWB imitation was uncanny.

I was disappointed in it, JSw. It seemed like a good idea that never quite went anywhere.

Hey there, Not!Spring[wholikesstrawberries]! Welcome!

It seemed like a good idea that never quite went anywhere.

That was my reaction, too. I watched it to the end, and kept expecting it to find another gear, but it never did. Lots of interesting people in character roles, but it was like the pieces didn't quite hang together. Kind of frustrating, since there was stuff to like about it.

I like !Spring

Although that's sort of close to iSpring, and now I have the mental picture of !Spring (whatever he/she looks like) all decked in Apple White.

I like strawberries.

The only thing this reminds me of is Rack and Willow from "Wrecked" and "you taste like strawberries"... and OK, ewww. Plus, Actual Car Crash. Sigh.

On an actual movie-related news, Netflix me sent Spartan, the Mamet thriller with Val Kilmer, which I admit I rented because Kristen Bell is in it. It's very atypical as thrillers go, and rather ponderous but interestingly brain-twisty. Val Kilmer is very, very good in the role of the Special Ops dude who goes rogue to complete his mission. KB is only on for about 15 minutes or so, but she rocked--no surprise there.

Mamet's very hit or miss for me. His flicks are clever and dense, but often emotionally frigid. This one was better than some in that regard, but I suspect that was mostly because of what Kilmer brought to the table instead of the writing.

I'm v. well disposed to Mamet's work on the basis of the plays that I've seen (although less well-disposed to him, on the basis of interviews I've read). Don't think I've actually seen any of his movies, though.

Val Kilmer...I loved The Doors, and I seem to remember enjoying Willow (as the lesbian witch said to the archbishop), but the memory of The Saint overwhelms all other things I've seen him in. The Saint was just...man. There was a Toad-of-Toad-Hall-Washerwoman-Disguise moment, wherein Val Kilmer in a headscarf, making an astonishingly convincing, er, Val Kilmer in a headscarf, wielded a mop and thus convinced everyone he was a cleaning lady and sauntered nonchalently around The Evil Dudes as they were discussing their Evil Plans (TM). I mean, there were many, many, MANY moments of awfulness in that movie, but the Toad of Toad Hall bit was the best. (Although the English Poet bit was pretty fucking hilarious. Clearly he went to Dick Van Dyke's School of Comedy English Accents. And failed.)

Er. Big tangent. Anyway, Spartan, you say? Sounds like it might help obliterate the memory of The Saint.

We watched this a few weeks back. I'd always heard great things about Nausicaä, but it all felt like a less complex dry run for Princess Mononoke to me. I liked Castle In The Sky (which I also saw recently for the first time) much more.

Nausicaä is a prototypical Mary Sue. Miyazaki's characterizations got better as time went on.

I had a big Miyazaki weekend, watching Nausicaa yesterday, Spirited Away the day before.

Nausicaa is definitely a Mary Sue, but also very moving as action-packed non-violence girl on a glider. The sheer iconography of her gliding in with her arms spread in a hail of bullets to rescue the baby Ohm was gorgeous.

Still, I didn't like it nearly as much as Spirited Away or Howl (both of which share numerous echoes and motifs).

For palate-cleansing Val Kilmerosity, I recommend Thunderheart.