the desperation with which he tries to get to us is repulsive.

Particularly since it almost always involves an adorable moppet in danger. When no moppet is available, I guess he makes do with Tom Hanks.

cancels order for Ronco Lilty-Getter 3000

Bah! The 3000 model does NOTHING!

The 4500, however......then I'd have make use of my "I'm kicking the air in front of me, anything that gets in my way is it's own fault" technique.

Should that fail, a slappy fight could ensue.

Really, Spielberg's two best are among his oldest -- Raiders and the first shark movie.

I think Empire of the Sun is better than the first shark movie, but I think it's also good in spite of him than because of him. (In fact, I'd say about 75% of what's good in that movie can be attributed to Christian Bale.)

I have a question about the resistance to emotional manipulation. I don't quite get it. I have no problem with it, as long as it's good. Go ahead, fuck with me, is my motto with the arts. I love Dickens' novels and that's what he was all about. I don't mind intellectual manipulation, emotional manipulation, pop songs making me get up and dance--go ahead, make me think, make me feel, why not? Of course, if the film or book is bad, I don't like it, manipulation or no.

I love a good disaster flick, and by "good" I mean "lots of disaster."

I have a deep and abiding love for the cheese that is the original Poseidon Adventure--Gene Hackman, Shelley Winters, and Red Button, especially.

Jurassic Park was okay the first time I watched it, but I remember sitting in the theater getting pissy about some of the changes from the book to the movie. In the book, rather logically, the palentologists don't know exact details of how the dinosaurs hunted becuase they only have fossil evidence, and it's not until they see the real live dinos that he gets some of their behaviour.

In the movie they already knew that.

Of course I was working at Suncoast when it came out and for a week or so we played it all the time. There were two tapes so one was always playing and no deviation.

The only thing I liked from it was the autoerotic/anomatronic mix up line. I always imagined the T Rexs with their short arms not being able to do anything.

When I told my very vanilla boyfriend he was offended big time. It was just sex and dinosoaurs, it's not like I asked him to role play sex with dinosaurs.

Should that fail, a slappy fight could ensue.

Now I'm picturing Lilty and Tom Cruise re-enacting the sissy-fight scene from The Initiative. Hee!

Ultimately, I think film is an emotionally manipulative medium, so I don't necessarily think that's an automatic strike against a picture

I think it's a strike against the picture when the emotional manipluation becomes transparent to the audience. Same as editing, sound design, or any other element intrinsic to the medium. If it's good, it shouldn't call attention to itself.

I have no problem with it, as long as it's good.

Good emotional manipulation is Dickens and Spielberg at his best. Bad emotional manipulation was the book The Horse Whisperer. All the time I was reading it, I cried at the points the author wanted me to, but afterwards, I just felt dirty and pissed off at him, because they weren't good cries, if you know what I mean. I won't read a Nicholas Evans book again, just because that experience left such a bad taste in my mouth.

When no moppet is available, I guess he makes do with Tom Hanks.

I'd mention Dakota Fanning, but she's far too creepy to be called a "moppet." My theory is that she's one of the Martians in disguise, and that in the last act, she will rip Tom Cruise's head off with her bare hands.