We could if we RESURRECTED HIM AS ZOMBIE BAUM.
You go right to work on that, P-C. Just don't blame me if HE EATS YOUR BRAINS.
Xander ,'Touched'
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We could if we RESURRECTED HIM AS ZOMBIE BAUM.
You go right to work on that, P-C. Just don't blame me if HE EATS YOUR BRAINS.
I, for one, welcome my zombie master.
sigh
Zombies don't eat brains, unless instructed to by their zombie master. Lot of peopl get that wrong.
I, for one, welcome my zombie master.
Bart: Dad, you killed Zombie Polter-Cow!
Homer: Polter-Cow was a zombie?
So WotW has been getting pretty good reviews, except for the review in Salon ( Stephanie Zacharek hated it): [link]
Does Stephanie Zacharek have a bug up her butt? Or does she have some Spielberg-related childhood trauma? Or is she right?
She doesn't like the current trend for very gloomy self-consciously serious blockbusters (see her Batman review).
Yeah, I fucking hate it when blockbusters actually try to be good movies too.
Yeah, I fucking hate it when blockbusters actually try to be good movies too.
How DARE they!
I have a working theory that it's almost impossible for a blockbuster-type action movie (i.e., big budget) to balance the serious with the whizbang, and the best that one can hope for is a mixture of both, so that the one causes amnesia for the lack of the other, in tandem, depending on which is onscreen at any given moment. I originated this theory to explain why the 1980s Bond movies failed, and why the Jason Bourne movies are so manic in tone, but I think it applies well to more than just the spy genre.
There's a crucial distinction between "good" and "glum". To some extent I agree with her; I think Batman Begins would have been a better film if it had leavened its dourness with a bit more exhilaration. I think there's a trend, of late, towards pomposity in SF/fantasy/comic movies; as if the makers are so keen to avoid campness and triviality that they forget that blockbuster movies are supposed to be fun.