Traffic had the Benico del Toro subplot, which rocked. And a GREAT cameo by Topher Grace. The rest of it was meh.
ARE YOU DISSING DON CHEADLE??? ARE YOU???
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Traffic had the Benico del Toro subplot, which rocked. And a GREAT cameo by Topher Grace. The rest of it was meh.
ARE YOU DISSING DON CHEADLE??? ARE YOU???
The multiple personality thing was revealed pretty early in Identity, though. I thought the "twist" was who survived and was responsible for the murder.
Not that it was good, in any case.
I give the Game a pass mostly because I loved Se7en so much. Fincher gets a lot of slack from me.
No, but he didn't make a huge impression on me in that movie, unlike, say, Devil in a Blue Dress in which he IS GOD.
I guess I need twists to be clever to appreciate the movie, but not necessarily the explanations.
Probably a me-specific dividing line, too.
I don't think it's just you. For me, it depends somewhat on my expectations going in. For example, I know a lot of people hated The Village because they thought the "twist" was really dumb. But I knew what it was going in, so I was able to think of it merely as an explanation rather than as a shocking and clever reveal, and I ended up liking the movie quite a bit.
he didn't make a huge impression on me in that movie
::sniffs::
::haughtily::
I thought he was marvellous. Didn't have the screen time of Del Toro, but it's his face I associate with the movie. Well, in the positive associations, anyway.
Whereas The Game drove me nuts, because it's not sufficiently hinged on the "Oh! That's what it was!" at the end. It just shifted from dumb movie A to dumber movie B.
Ugh. If ever a movie needed to end 40 minutes early, it's that one.
He was good, ita, he's always good, but he wasn't burned onto my retinas. For me, that's Del Toro's movie--oddly, I think it's the only performance of his I actually LIKE, and I really didn't like the film much.
And a GREAT cameo by Topher Grace.
More movies could use a great cameo by Topher Grace. Like, all of them that don't already have one.
I specifically avoided Identity because of what Jessica and Lyra said the twist was.
Do the timelines work out for Identity to be cribbing?
Actually, some people suspect that Charlie Kaufman may have done some script doctoring on Identity, and that's what inspired him to create such a horribly implausible screenplay for Donnie Kaufman to have written in Adaptation.
Also I really liked Traffic.