I loathe Bridges of Madison County for its content rather than its form,
I have just the opposite reaction to The DaVinci Code. The ideas were interesting, and in the hands of a competent prose wrassler I think it could have been a terrific book. Alas.
How does crap writing like that make the bloody best-seller list? HOW?!?
Because many people care more about the story than about the craft or whatever, and the book is entertaining.
And now I feel the need to check out DaVinci Code to see how it measures up.
Don't. For your own good, really, don't. (To be fair, I only read about a third of it, over DH's shoulder while he was reading it on the train, but I was still cringing in pain at every sentence. I had originally planned to read the whole thing just to see what all the fuss was about, but the glimpses I got convinced me otherwise. Wretched, eye-gougingly bad writing.)
Because many people care more about the story than about the craft or whatever, and the book is entertaining.
See also: James Patterson, current holder of my "world's worst book" title. Like JZ, I read the whole thing, because I couldn't *believe* the writing was that bad the whole way through.
And now I feel the need to check out DaVinci Code to see how it measures up.
TDVC has a lot of bad writing. I have a high tolerance for bad writing if there are enough redeeming features and, with considerable skimming, got through it to see how it would end. On the whole I was glad I'd read it (mostly because my dad wanted to discuss it with me) and it wasn't eye-gougingly bad, ala Night Travels of the Elven Vampire.
After reading PAtterson's flying kids book I didn't think there would be anything worse. But then he wrote a sequel.
Damned shame -- I've enjoyed Patterson's work, but the flying kids -- inexcusable. He has written worse, however. They're publishing his old stuff, the stuff he couldn't get published before he got famous.