Sin City thanked my BF's uncle, Joe Kubert, in the end credits. He has an email in to the uncle to find out why. Joe is a comics artist from way back, so we think that's the reason. Still, very unexpected and cool.
Patron: That girl is a witch. Mal: Yeah, but she's our witch.
'Safe'
Buffista Movies 4: Straight to Video
A place to talk about movies--old and new, good and bad, high art and high cheese. It's the place to place your kittens on the award winners, gossip about upcoming fims and discuss DVD releases and extras. Spoiler policy: White font all plot-related discussion until a movie's been in wide release two weeks, and keep the major HSQ in white font until two weeks after the video/DVD release.
Scrappy - Apr 09, 2005 3:03:12 pm PDT #1726 of 10002
Life moves pretty fast. You don't stop and look around once in a while, you could miss it.
Jessica - Apr 09, 2005 3:10:36 pm PDT #1727 of 10002
And then Ortus came and said "It's Ortin' time" and they all Orted off into the sunset
My feeling was basically, Clive Owen, rowr.
Oh, absolutely. My sister turned to me after it was over and said, "I want Clive Owen to kill lots of people for me."
Mainly, I just wish all the actors had been given more direction. The Quentin Tarantino "guest directed" scene was instantly recognizable because the acting suddenly came to life, and the visuals were really used instead of the only goal being to make it look like the comics.
Sue - Apr 09, 2005 3:13:18 pm PDT #1728 of 10002
hip deep in pie
Mainly, I just wish all the actors had been given more direction.
Yeah, I got the sense that the actors were a little neglected in the process. Some of them got it stylistically, but others seemed to be acting in different movies.
DavidS - Apr 09, 2005 3:18:05 pm PDT #1729 of 10002
"Look, son, if it's good enough for Shirley Bassey, it's good enough for you."
DavidS - Apr 09, 2005 3:24:22 pm PDT #1730 of 10002
"Look, son, if it's good enough for Shirley Bassey, it's good enough for you."
Sin City thanked my BF's uncle, Joe Kubert, in the end credits. He has an email in to the uncle to find out why. Joe is a comics artist from way back, so we think that's the reason. Still, very unexpected and cool.
Joe Kubert is probably my alltime favorite comic, artist, Robin. Just a magnificent style, beautifully rendered and incredibly alive and dynamic. His Tarzan is definitive for me. Also a huge fan of his Enemy Ace stories.
Tom Scola - Apr 09, 2005 5:00:21 pm PDT #1731 of 10002
Remember that the frontier of the Rebellion is everywhere. And even the smallest act of insurrection pushes our lines forward.
The Hitchhiker’s Guide to the Galaxy movie is bad. Really bad. You just won't believe how vastly, staggeringly, jaw-droppingly bad it is. I mean, you might think that The Phantom Menace was a hopelessly misguided attempt to reinvent a much-loved franchise by people who, though well-intentioned, completely failed to understand what made the original popular - but that's just peanuts to the Hitchhiker's movie.
DXMachina - Apr 09, 2005 5:14:22 pm PDT #1732 of 10002
You always do this. We get tipsy, and you take advantage of my love of the scientific method.
Wow. That's really bad.
Joe is a comics artist from way back, so we think that's the reason.
Another Kubert fan here. He's a great artist.
Nutty - Apr 09, 2005 6:07:24 pm PDT #1733 of 10002
"Mister Spock is on his fanny, sir. Reports heavy damage."
However, I strongly concur with Vonnie's assessment that it had more in common with Sam Fuller's brutalism.
I'll buy that. Although classic noir and brutalism both come out of a pulpy, tabloid universe, their directions and conclusions are pretty different. I'm very much of the opinion that noir works best in a world of social stricture -- things that can't be talked about in polite company, a strict division between polite company and impolite company -- whereas brutalism posits the idea that there is no such thing as polite company.
quester - Apr 09, 2005 6:12:58 pm PDT #1734 of 10002
Danger is my middle name, only I spell it R. u. t. h. - Tina Belcher.
mmmJack Kirbymmm!
erikaj - Apr 09, 2005 7:13:33 pm PDT #1735 of 10002
Always Anti-fascist!
I'm not sure if I will ever see Sin City or not. Iconic '80s: Footloose, Sixteen Candles, maybe the first Back to The Future I'm with Robin. I think the message to "Grease" is "What? I can't have layers?" I also remember how too cool I felt when I got the dirty parts at, like, eleven. Also, my mother is a "Beauty School Dropout"