But she didn't just put on a pair of pants, not hardly.

The cigarette and hair explosion are other signs. "Tell me about it...stud" is just window dressing, by that point.

Although I think Rizzo and Kenickie are headed for big trouble.

I can see them going either way. I can also see them settling down and becoming the strictest parents on the block ("I know that trick. I used that trick. You aren't going to get away with it like I did.")

Shut it. It's also about social climbing = great.

And Nazi sympathizers. Don't forget the Nazi sympathizers.

Shut it.

And Nazi sympathizers. Don't forget the Nazi sympathizers.

Does it count as a message if it's completely glossed over?

It's Sprintime for Hitler, and Germany...

I love The Fifth Element. The thing is, there's a ton of stuff in it that would irritate the hell out of me normally, but taken together it all works.

I could still do without most of the Ruby Rod stuff (and the War/Love bit is cheesy), but other than that, it's incredibly entertaining to me. It's so stupid, but I always laugh at the bit with the "Gimme the cash! Gimme the cash!" mugger.

"Nice hat."

"You like it?" *does incredibly wierd little dance for no good reason*

My grandma hates Evita because she refused to get treatment early.

I could still do without most of the Ruby Rod stuff

I find it incredibly funny for about 3/4ths of the movie, which is nothing short of a miracle.

Does it count as a message if it's completely glossed over?

This is why Aimee rightly tells me to shut it every time I bring this up, but I just really can't get past who the Perons were. It's a thing for me. Even if it's not there in the musical, I still read it as an undercurrent, and am boggled that ALW could write a musical on who these people were.

So it's not an overt message, like the wonky one in Grease.

(You're still dead to me)

(You're still dead to me)

I know. I'm posting via ouija board.