Jimmy Olsen jokes're pretty much gonna be lost on you, huh?

Xander ,'The Killer In Me'


Buffy and Angel 1: BUFFYNANGLE4EVA!!!!!1!

Is it better the second time around? Or the third? Or tenth? This is the place to come when you have a burning desire to talk about an old episode that was just re-run.


sumi - May 01, 2005 4:26:49 pm PDT #488 of 10457
Art Crawl!!!

BTW, anyone here see the first episode of the new Doctor Who? Anyone who did think that the store that blew up looked a lot like the Watcher's HQ that also blew up ?


DCJensen - May 01, 2005 4:44:43 pm PDT #489 of 10457
All is well that ends in pizza.

Sumi, yes.

Plus? I just posted about the show in (well, ep 5) in Boxed Set not two minutes before seeing your post.


sumi - May 01, 2005 5:07:09 pm PDT #490 of 10457
Art Crawl!!!

I've only seen the first three episodes.

I loved them.

They seem to delight in blowing something up every week. Was this typical of old Doctor Whos? I don't seem to remember it.


Connie Neil - May 01, 2005 6:48:57 pm PDT #491 of 10457
brillig

Question for the hivemind:

Back when Giles was hanging out in London and living a reprehensible lifestyle there in the early 70s, what band would he have likely committed cheerful murder or the like in order to get into one of their shows? I need it for a fic, please, and I can't figure out if he'd have gone for the punk or the rock angle. Was he doing the bad boy thing before punk? My knowledge of such things is sadly lacking.


DavidS - May 01, 2005 6:56:43 pm PDT #492 of 10457
"Look, son, if it's good enough for Shirley Bassey, it's good enough for you."

what band would he have likely committed cheerful murder or the like in order to get into one of their shows?

Canonically we have references to Cream, the Velvet Underground and the Bay City Rollers. Fortunately, Giles' Rollers phase couldn't have really happened until the mid-seventies.

As a hardass demon-worshipper in the early seventies, I'd peg Giles as being very interested in seeing Black Sabbath or Deep Purple. He'd probably like The Stooges too, and they're cooler and when Iggy finally perfomed in London it was a big deal.


Gandalfe - May 01, 2005 6:58:06 pm PDT #493 of 10457
The generation that could change the world is still looking for its car keys.

What year specifically? There were some fairly sharp divisions in the early 70's.

But, if you're talking early 70's, then, yes, way too early for punk. Sex Pistols didn't form until '75, Clash in '76.


Nutty - May 01, 2005 6:58:08 pm PDT #494 of 10457
"Mister Spock is on his fanny, sir. Reports heavy damage."

The Bad Boy Giles theme song was "Tales of Brave Ulysses" by Cream; that song was on the album Disraeli Gears, which came out in 1967. (I think Cream broke up in 1970, or thereabouts, and Eric Clapton went on to do a whole lot of drugs.) I would say that, unless Giles is younger than I think he is, he should be decidedly rock rather than punk. So, like, what, the Yardbirds had broken up by then; the Beatles (who were hopelessly straight for Giles's taste) were about to break up. The Who might be too earnest for him; Pink Floyd too moony; maybe Led Zep? Zoso came out in 1971.

I want to say, on no evidence at all, that punk didn't really get started until the second half of that decade. [edit: Huh. I am a good guesser.]


Gandalfe - May 01, 2005 7:01:01 pm PDT #495 of 10457
The generation that could change the world is still looking for its car keys.

Pink Floyd too moony

Well, their early stuff was definitely not moony. More weird.

Iggy & the Stooges (as DavidS mentioned above) would be just about perfect.


Connie Neil - May 01, 2005 7:12:17 pm PDT #496 of 10457
brillig

I'm leaning towards Zeppelin, who performed at Wembley in '71. God bless the Internet.


Matt the Bruins fan - May 01, 2005 7:17:11 pm PDT #497 of 10457
"I remember when they eventually introduced that drug kingpin who murdered people and smuggled drugs inside snakes and I was like 'Finally. A normal person.'” —RahvinDragand

King Crimson would fit the bill very well as an occult-themed rock band that was quite influential in London from the late sixties onward. The Court Of The Crimson King ('69) had some references to Chambers and was an iconic weirdo-rock album that impressed Pete Townshend.