Maybe -- except that Tru's brother did die. . . . but (apparently) wasn't supposed to. Otherwise he wouldn't have spoken to Tru.
ARgh. It just doesn't make sense.
'Life of the Party'
A topic for the discussion of Farscape, Smallville, and Due South. Beware possible invasions of Stargate, Highlander, or pretty much any other "genre" show that captures our fancy. Expect Adult Content and discussion of the Big Gay Sex.
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Maybe -- except that Tru's brother did die. . . . but (apparently) wasn't supposed to. Otherwise he wouldn't have spoken to Tru.
ARgh. It just doesn't make sense.
they talk about how he has to "preserve fate". my question is, if the person was meant to die, can't they die tomorrow? I mean, so she saves harbor patrol chick. why can't jack just have her die next week? she's still dead.
Because she may do things in the interim she wasn't supposed to do. Everyone's going to die anyway, right? If them dying later was good enough, he wouldn't have a job.
I mean, so she saves harbor patrol chick. why can't jack just have her die next week? she's still dead.
That occurred to me, too, Vortex. Expecially since he had a date with her. I guess he wants to avoid murder charges, though.
The whole fate thing is troubling for me - if it's fate, it happens. I'm okay with there being a way that things are "supposed to be" I just wish they wouldn't call it fate if it needs all this help.
If them dying later was good enough, he wouldn't have a job.
right. so, why did he get her out on the water that night? she didn't die at 3:17 or whatever, so shouldn't that have solved the problem.
I figured there was some cosmic significance to the "day", although we've seen that Tru sometimes only rewinds to a middle of the day snooze, so that theory kinda falls apart.
I am really curious to know how evil reliver knows who the victim is, considering they don't ask him for help.
You'll find out next week.
I think all six episodes were way better than last season, and I would have continued watching. It's a lot more interesting.
I don't know what's more annoying: when FOX cancels a fantastic show, like Firefly or Wonderfalls, that just ends up being too intelligent and quirky for the masses, or when FOX cancels a mediocre show, like John Doe or Tru Calling, that is interesting enough to tolerate but formulaic enough for the masses to enjoy. I almost feel like the latter shows at least stood a chance to succeed.
Heh, I was just catching House the other day, and caught the guy who played John Doe as a guest star, and was grousing that it got cancelled.
And now Wolfram has me grousing that the show wasn't better than it was (which probably would have only killed it quicker in the friday night death slot).
I don't think it's that much of a tragedy when mediocre shows get cancelled... they just didn't excite enough of the potential viewership to stay on. It's the really brilliant ones that only appeal to a few million people that I feel bad about losing.