It's not like she blew me off. She just left with another guy, that's all.

Riley ,'Conversations with Dead People'


The Great Write Way, Chapter Two: Twice upon a time...  

A place for Buffistas to discuss, beta and otherwise deal and dish on their non-fan fiction projects.


Susan W. - Apr 01, 2005 6:41:03 am PST #998 of 10001
Good Trouble and Righteous Fights

Editing sucks. A lot. And I don't know if I even have the skills to write what I picture, anyway.

First of all, I agree with Amy that you might want to let your book rest a little more before you try editing it.

As for writing what you picture...well, skills can grow. A mememe story--when I first started doing this seriously back in 2001, everyone who read my work routinely told me they couldn't picture what I was writing. The characters were interesting and the writing was solid, but give us more details, please, especially more visual details. Four years later, I routinely get comments on how vivid, and especially how visual, my writing is! And while I've certainly tried to improve, I'm always surprised by the compliments, because I still think my writing is on the sparse end when it comes to sensory details. Someone will say, "Wow, this is vivid! I could just taste the dust from the road," and I'm thinking, "But all I did was say it was a hot day, and that my heroine was breathing the dust of thousands of marching feet and tramping hooves." Or they'll say, "Wow, that scene by the fire is so visual," and I think, "But all I said was that when he looks up from reading the poem, she's at the very edge of the firelight staring raptly at him--you filled in all the bits about what the firelight would look like flickering on her fair skin and suchlike yourselves."

Which is all a longwinded way of saying you improve with practice, and sometimes, apparently, much more than you realize.


Connie Neil - Apr 01, 2005 7:03:14 am PST #999 of 10001
brillig

Visual details don't come naturally to me. I can do stage direction well, but trying to describe the mental movie is a struggle. When I go back and try to add things, it always feels like padding.


Trudy Booth - Apr 01, 2005 7:07:07 am PST #1000 of 10001
Greece's financial crisis threatens to take down all of Western civilization - a civilization they themselves founded. A rather tragic irony - which is something they also invented. - Jon Stewart

ssssssssssssssssssssssssssssssssssLUT


Connie Neil - Apr 01, 2005 7:07:41 am PST #1001 of 10001
brillig

Ah, truth in advertising.


Susan W. - Apr 01, 2005 7:36:04 am PST #1002 of 10001
Good Trouble and Righteous Fights

Stage direction always feels clunky to me on first draft, and sometimes on second and third. The thing that intimidated me the most when I got the idea for the wip was I knew it'd have several important action sequences, and hence much stage direction, while the first book was much more about people strolling and riding about pastoral English countryside being talky meat.

As for the visual/sensory stuff, I feel like what I've somehow accidentally figured out is how to tap into people's existing store of mental images and say just enough to make them flesh out the picture themselves. Because I'm certainly not painting word pictures or anything of the sort. But I don't know how I'm doing it. Not that I'm going to lose any sleep over it, as long as it's working.


deborah grabien - Apr 01, 2005 8:12:21 am PST #1003 of 10001
It really doesn't matter. It's just an opinion. Don't worry about it. Not worth the hassle.

And I don't know if I even have the skills to write what I picture, anyway.

Yes, you do. Your problem at the moment is with placement of scene, and a tendency to let your protagonist think instead of having her act.

Small stuff. The language? You've got that.


erikaj - Apr 01, 2005 10:03:35 am PST #1004 of 10001
I'm a fucking amazing catch!--Fiona Gallagher, Shameless(US)

Thanks. I expect a lot from myself, is all.


Liese S. - Apr 03, 2005 2:45:07 pm PDT #1005 of 10001
"Faded like the lilac, he thought."

Wow. I'm just getting home and caught up after two weeks, but just, wow. You people? You sure can write.


deborah grabien - Apr 04, 2005 7:13:15 am PDT #1006 of 10001
It really doesn't matter. It's just an opinion. Don't worry about it. Not worth the hassle.

Lalalalalalalalala monday lalalalalalala new challenge lalalalala....

Eager? Me?


Steph L. - Apr 04, 2005 8:04:17 am PDT #1007 of 10001
the hardest to learn / was the least complicated

Heh. Lookit Ms. Impatient Pants Deb!

Fellow drabblers, this is a monumentous occasion -- this weekly drabble challenge is #52. We've been at this for 1 year, a year that has yielded some kick-ass writing, and, I hope, motivation for them that needed it to return to writing, to move forward on a project, or to start writing regularly. You all ROCK. Hard.

As for the current challenge....

Challenge #51 (heaven and/or hell) is now closed.

I'm craxy busy at work, so Challenge #52 is another Random Photo challenge, from the Look At Me photos. You have 10 choices, linked below, and you may write a drabble about each, or several drabbles about the same one, or several drabbles about more than one -- whatever tickles your writing fancy.

When you post your drabble(s), please include a link to the picture, for easy reference on the part of the reader. Thanks!

Picture One.
Picture Two.
Picture Three. (This might be the same dude from the picture w/the two women, on the couch.)

Note -- this one is kind of grim, featuring a coffin w/body inside: Picture Four.
Picture Five.
Picture Six.
Picture Seven.
Picture Eight.
Picture Nine.
Picture Ten.

Next week, I'll try to cook up something good for the 1-year anniversary drabble.