Probably with royalty statements in September.
The Great Write Way, Chapter Two: Twice upon a time...
A place for Buffistas to discuss, beta and otherwise deal and dish on their non-fan fiction projects.
oh yay connie! I was looking at the "people who bought this title also bought" list - some impressive company there! And yay Deena!
I got my entry form for the MWA contest yesterday. That will be the first time somebody who's not a friend will see the whole thing. Feels like a big deal.
That is a big deal, erika! Good luck!
I'm a little nervous about it, actually. But I'm going to go ahead...I chickened out on the Hillerman contest.
Well, you shou'n'ta! Go for this one.
Nervous is natural, but do it, because more people should read your work. And winning would be a pretty cool bonus.
Best of luck, erika!
connie, w00t!!!
Good luck, erika!
I'm so glad Drollerie Press exists. And I love the name.
Request for writing advice:
The issue is character death. I've recently decided to kill off a character who, for some reason, all my CPs like a lot more than I do. It's like he's their woobie or something, and the more I try to show that he's just not that brave or smart or resourceful, the more they want to cuddle and protect him!
Anyway, I'm planning to kill him at the end of Book One. It makes sense, because there's really no role for him to play in the rest of the series that isn't more ably filled by someone else. He's important in this book, but extraneous afterward, so who better to kill off in the big battle at the end to emphasize how War is Hell and my characters will have to make Big Sacrifices and so on? Except there's that woobie issue. I want readers to be sad about his death, but feel like it's fitting and appropriate on some level, and then be thrilled to turn the page and discover an excerpt from Book Two, not hate me forever and vow never to read my books again because I'm such a big meanie.
So. Given that I'm writing fantasy/adventure fiction whose overall tone is optimistic despite some grit along the way, what makes a character death succeed or fail? How do I walk the tightrope between making my guy's death too trivial or too tragic? Any thoughts?