And, k, Deb. Just making sure.
The Great Write Way, Chapter Two: Twice upon a time...
A place for Buffistas to discuss, beta and otherwise deal and dish on their non-fan fiction projects.
Liking Teppy's boy, more and more.
The example I always use from Angels and Demons is that horrible, horrible scene where Protagonist gets a fax that apparently contains shocking information. And how do we, the readers, know it has shocking information? Why, because the narrative reads as follows: "It was as if he had been hit by a truck."
I gave that example to The Boy, and he asked "What the hell does that *mean*? The guy read the fax and suddenly got flattened like Wile E. Coyote? And had tire marks on his ass?"
He gets it. Awww, yeah.
I have boycotted Dan Brown. I have just heard too, too many awful things to be interested.
I picked it up to look at it, got maybe 5 pages in and decided that 90% of the fanfic writers online have a better concept of "show, not tell" than he does. The only thing I can think is that there is a certain percentage of readers out there, like television watchers, who want things spoon-fed to them. Ugh.
And what's really scary is that it's generally conceded that Angels & Demons is a far, far better-written book than daVinci Code.
People are weird.
Oh, yeah.
Whoops, I got confused. I was talking about The DaVinci Code. Hee.
My mother bought me one for a quarter. I think she overpaid.
The only thing I can think is that there is a certain percentage of readers out there, like television watchers, who want things spoon-fed to them.
Well, exactly. That's why telling, rather than showing, is such bad, sloppy writing. In the example I gave above, Dan Brown is relying on his readers' cultural knowledge of a cliche, and using that cliche as a really crappy combination of shorthand and placeholder. And that's not good writing.
All Dan Brown would have had to do to *show* the protagonist's shock at receiving the Fax of Doom is to say something like "As Protagonist read the fax, he paled, and reached out a hand to steady himself against the desk."
That's not even a good snippet, but it still manages to *show* Protagonist's shock rather than just *telling* us he was shocked.
Bah.
Tep, how do you feel about this, for show not tell? (edit: for a similar theme, which is why I'm posting it)
(edit: and, removed. Not yet under copyright, so leaving it up not an option)