Photos of me, I always look stoned. Or my face is at just the right angle for my nose to look HUGE.
The Great Write Way, Chapter Two: Twice upon a time...
A place for Buffistas to discuss, beta and otherwise deal and dish on their non-fan fiction projects.
Hee. I tend to stick my chin out and then I look like Jay Leno. Ewww.
My face always looks red and I get the wonderful double-chin thing going as well unless I position my head perfectly in relation to the camera. Which pretty much means I only like pictures taken of me once in a blue moon or unless I take them myself, take 20 different shots and then toss out the 19 that thoroughly suck and keep the one that's tolerable. I also have a tendency to end up with my mouth open or my eyes closed most of the time, sometimes both for added dork factor.
Question for those of you who have worked with editors.
What can I expect? Are there rules of etiquette? Am i allowed to argue if I think something the editor wants is wrong?
I'm unsure what the politics/nature of the relationship between author/editor is.
I'm unsure what the politics/nature of the relationship between author/editor is.
To be completely smarmy, think of your editor as your OB. S/he's going to help you deliver the best book possible. S/he should be an advocate and a cheerleader for your project, because s/he's going to be the one discussing it in-house -- working with the art and copy departments on the cover, giving info to sales and marketing to promote and sell it. Remember, this person bought the project because s/he loves it, and thinks it's an asset to the publisher's list.
Working with your editor shouldn't be adversarial -- any suggestion s/he has s/he's making because s/he believes it will improve the book. You can absolutely argue if s/he suggests something that you really disagree with, but you have to wait and see what happens.
First, you'll probably *meet* over the phone, unless you have already, and then have email/phone contact. You'll need to deliver the rest of the book, then the editor will read through the entire manuscript and give you a revision letter (or email), pointing out places that need clarification or polishing, and you'll work with him or her on that. It should be a friendly, teamlike relationship, ideally.
Amy - as always - nails it. Nothing to add to that except, as that particular relationship gets more comfortable and familiar and you get to know each other's particular quirks, the conversations about what you really want and what s/he really wants get easier and more informal.
Thanks so much, Amy. It's all so terrifying and wonderful.
Allyson, the terrifying part will get less so, I promise.
Also? Unless the publisher has already told you otherwise, not every publisher uses author photos. So maybe you won't have to worry about that. (Although they are good to have for promotional purposes -- newspapers and stuff always want them, and I still don't have one.)
Okey dokey. I got my little deal memo, which is interesting to read, and some direction for writing so I won't waste the long weekend.
Right on, Allyson. Perfect timing.