Well, my days of not taking you seriously are certainly coming to a middle.

Mal ,'Our Mrs. Reynolds'


The Great Write Way, Chapter Two: Twice upon a time...  

A place for Buffistas to discuss, beta and otherwise deal and dish on their non-fan fiction projects.


DavidS - Jan 31, 2006 8:17:25 am PST #5359 of 10001
"Look, son, if it's good enough for Shirley Bassey, it's good enough for you."

That's great news, Gus. Very exciting.

What's scary is picture number four? Move the Conservatory out of the way behind her, and you can see the back of our house.

That's the building where I married Emmett's mother. The Consveratory; not Deb's house.


deborah grabien - Jan 31, 2006 8:25:00 am PST #5360 of 10001
It really doesn't matter. It's just an opinion. Don't worry about it. Not worth the hassle.

The Consveratory; not Deb's house.

Before the humongous windstorm that trashed it and led to the renovation in the first place, I presume.


Beverly - Jan 31, 2006 8:27:01 am PST #5361 of 10001
Days shrink and grow cold, sunlight through leaves is my song. Winter is long.

Gus! Novelising Weremonkeyman! Good on you, and what's it called?


Ginger - Jan 31, 2006 8:29:39 am PST #5362 of 10001
"It didn't taste good. It tasted soooo horrible. It tasted like....a vodka martini." - Matilda

Congratulations, Gus! I join in the chorus of "more details!"


Liese S. - Jan 31, 2006 9:05:09 am PST #5363 of 10001
"Faded like the lilac, he thought."

Whohoo! Congrats, Gus!


Consuela - Jan 31, 2006 3:22:11 pm PST #5364 of 10001
We are Buffistas. This isn't our first apocalypse. -- Pix

WeremonkeynovelwriterGUS!

Rock on!

(And how do I love that you forgot you wrote it? THIIIIIIS MUCH!)


Connie Neil - Jan 31, 2006 4:43:13 pm PST #5365 of 10001
brillig

Connie actually has a perfectly good novel in good-sized chunks; I know, because I've read some of it. She avoids quite a few common traps, right out the gate, and some of the few traps she did fall into are extremely shallow and easy for anyone with an instinct to climb right out of. So yes, she should do that thing.

Hee. Do you remember which traps I did fall into?


JoeCrow - Jan 31, 2006 6:51:15 pm PST #5366 of 10001
"what's left when you take biology and sociology out of the picture?" "An autistic hermaphodite." -Allyson

Some more Gus-ward congratulimifications. 'scuse me while I slide on the end of the "vastly amused that you forgot about the novel you just sold" bench.


deborah grabien - Feb 01, 2006 6:41:17 am PST #5367 of 10001
It really doesn't matter. It's just an opinion. Don't worry about it. Not worth the hassle.

Do you remember which traps I did fall into?

Basically a question of balancing tell and show. There were spots where you needed to show - early on, I remember her getting word of a phone message from her secretary, one of those big moments, and holding back all the way too far on her reaction. Problem there was that the reader had trouble catching up with her physical reaction, which was to get the hell out of the building before he showed up. The occasional tell instead of show moment - history of the Fenris myth, you as narrator telling the reader, rather than giving it to us through the character's memory, making it part of her experience instead of a classroom fact.

But those are very shallow traps. They get easier to avoid, the more you write. The story and characters were sound.


Connie Neil - Feb 01, 2006 2:08:34 pm PST #5368 of 10001
brillig

Thanks, deb, I remember that's what you told me at the time. I was afraid there was something I missed.

Now, if I could just find my lost motivation . . .