I go online sometimes, but everyone's spelling is really bad. It's... depressing.

Tara ,'Get It Done'


The Great Write Way, Chapter Two: Twice upon a time...  

A place for Buffistas to discuss, beta and otherwise deal and dish on their non-fan fiction projects.


Amy - Sep 22, 2005 10:53:58 am PDT #4228 of 10001
Because books.

Vaginal birth after caesarean.

When Cs when done the old-fashioned vertical incision way, you had to have Cs thereafter, for fear of rupture, etc. Now, most of the time, you can go the other route, if you choose.


Steph L. - Sep 22, 2005 10:55:08 am PDT #4229 of 10001
I look more rad than Lutheranism

Ah. Are those....not good?


Amy - Sep 22, 2005 10:57:10 am PDT #4230 of 10001
Because books.

Sorry -- I thought an explanation might be necessary, and went back to edit.

They're not bad, as long as it's not contraindicated for you (as in, if you had a C for a medical reason other than failure of labor to progress, or a baby in the wrong position).


SailAweigh - Sep 22, 2005 10:59:35 am PDT #4231 of 10001
Nana korobi, ya oki. (Fall down seven times, stand up eight.) ~Yuzuru Hanyu/Japanese proverb

Steph, I had the old style c-section, vertical line down the tummy. My doctor insisted my second be delivered also by c-section. The newer ways of cutting open for c-section (bikini cut) allows for VBAC. Something to do about the way the tummy muscles run and the stresses on them.


Aims - Sep 22, 2005 11:08:45 am PDT #4232 of 10001
Shit's all sorts of different now.

It's more the uterine walls, from what my doc told me. I could try VBAC, but the way my PA put it, "You already know the route to grandma's house. Don't put tire ruts in her lawn."


Kalshane - Sep 22, 2005 11:09:31 am PDT #4233 of 10001
GS: If you had to choose between kicking evil in the head or the behind, which would you choose, and why? Minsc: I'm not sure I understand the question. I have two feet, do I not? You do not take a small plate when the feast of evil welcomes seconds.

Since we're already talking about men versus women (in a vague sense, not adversarial sense) I finished up chapter 12 of my book last night. I was nervous about it, because it switches back and forth between the POV of two of the female characters in the book (My protagonist doesn't actually appear in the chapter at all) and I was worried about falling into the old writing women as "men with breasts" trap a lot of male authors succumb to.

So far the reaction has been positive, but I sent out a second e-mail asking my (primarily female, coincidentally) beta-readers to feel free to tear me apart on any points where the characterization reads false.

I guess my question is, how does one write good POV on characters of a different gender (or even sexuality) of the author? Does anyone find it particularly difficult or easy?

I tried to concentrate on keeping it in tune with the character in question, and not think about the male/female thing too much. There was only one point where I went back and changed something specifically because of gender, and that was because I realized a woman was not as likely to strike a solid surface out of anger as a man would.


erikaj - Sep 22, 2005 11:16:05 am PDT #4234 of 10001
Always Anti-fascist!

I don't know, y'all, how are my men? Better than they used to be, I think.


Amy - Sep 22, 2005 11:17:33 am PDT #4235 of 10001
Because books.

I realized a woman was not as likely to strike a solid surface out of anger as a man would.

I would. But I can be dumb when I'm furious.


erikaj - Sep 22, 2005 11:20:24 am PDT #4236 of 10001
Always Anti-fascist!

Shorter sentences.(And no, this is not some kind of "dumb man" gag.) The men in my acquaintance seem to speak with less words being exchanged.


Scrappy - Sep 22, 2005 11:26:33 am PDT #4237 of 10001
Life moves pretty fast. You don't stop and look around once in a while, you could miss it.

I find I have a harder time writing people of a different age than I am rather than a different gender. The college-age kids around now don't have the burning desire to get the fuck away from Mom and Dad that we did at that age (and I liked my parents), for example. I also saw people in screenwriting groups having a hard time writing elderly folks--as if getting older somehow drained you of a personality.