We die horribly and painfully, you go to hell and I spend eternity in the arms of baby Jesus.

Gunn ,'Not Fade Away'


The Great Write Way, Chapter Two: Twice upon a time...  

A place for Buffistas to discuss, beta and otherwise deal and dish on their non-fan fiction projects.


deborah grabien - Mar 07, 2005 7:06:04 am PST #381 of 10001
It really doesn't matter. It's just an opinion. Don't worry about it. Not worth the hassle.

Monday? New topic?


Steph L. - Mar 07, 2005 7:19:04 am PST #382 of 10001
the hardest to learn / was the least complicated

Ooof. Let me think about it over lunch.


deborah grabien - Mar 07, 2005 7:41:06 am PST #383 of 10001
It really doesn't matter. It's just an opinion. Don't worry about it. Not worth the hassle.

What is this "lunch" thing of which I have heard you speak?

Oh - right. The meal I keep forgetting to eat, along with breakfast...


Steph L. - Mar 07, 2005 9:07:06 am PST #384 of 10001
the hardest to learn / was the least complicated

Okay. Have lunched.

Challenge #47 (yellow) is now closed.

Challenge #48 is: container(s)/holding (or some variation on "hold").

Go to it!


Amy - Mar 07, 2005 12:51:25 pm PST #385 of 10001
Because books.

It's only a silly question if you don't ask, right?

Are "container" and a form of "hold" both supposed to be in the drabble, or does the slash mean either or?


§ ita § - Mar 07, 2005 12:55:47 pm PST #386 of 10001
Well not canonically, no, but this is transformative fiction.

does the slash mean either or?

The slash means that the container(s) and the holding are having non-canon relations.


Steph L. - Mar 07, 2005 1:12:59 pm PST #387 of 10001
the hardest to learn / was the least complicated

OTP, baby!

Nah, it was just meant to indicate a general sense of "the topic can be about holding, or the [thing] that holds, where [thing] = 'container,' but not necessarily a literal Tupperware container."

If that makes sense.


Connie Neil - Mar 07, 2005 1:15:15 pm PST #388 of 10001
brillig

does the slash mean either or?

t will not say what I'm thinking, will not say what I'm thinking.


deborah grabien - Mar 07, 2005 3:02:06 pm PST #389 of 10001
It really doesn't matter. It's just an opinion. Don't worry about it. Not worth the hassle.

This speaks for itself.

Hope, 1971

thumpthumpthump

The helicopter lands on the roof of San Francisco General. General is the only local hospital with a copter pad. It's also one of the few hospitals around here that are doing this kind of operation right now.

The surgeons don't take delivery themselves; they've requisitioned an OR and they're scrubbing up. An orderly runs upstairs, shying away from the wind kicked up by the chopper's blades. Upstairs, a slender man with brown eyes waits.

The orderly signs his name, and takes receipt of a small, innocuous lunch cooler. Contents: one kidney, the one thing Pandora didn't count on.


Susan W. - Mar 07, 2005 7:07:48 pm PST #390 of 10001
Good Trouble and Righteous Fights

That's powerful, Deb.

Anyone have any ideas for non-cheesey character interview type exercises? It's been brought to my attention by, like, practically everyone who's read the wip, that Jack is a vividly drawn character and sexy as hell to boot, but that Anna is a bit fuzzy, unreal, as though I'm holding her at arm's length.

When I first started writing this story, if anything the opposite was the case. And I realized today that my breakthrough on being able to write Jack came at the conference this fall when I attended a workshop where we did all these exercises like pairing up and having your partner ask you the same question over and over again. Basic stuff like "Who are you?" or "What do you want?" that you answered as the character. Also free association things where you'd do something like grasp an unusually textured object and write about whatever it brought to mind WRT the character. And while I could try those same exercises, I'm not sure how they'd work without the group dynamic, so I'm looking for other options, too.

Basically, I'm not expecting the exercise itself to work the magic. It's just that I realized I am pushing Anna away from me a bit, and I need to try a few tricks to make me break down those barriers so I can become her the way I've learned to become Jack.