wrod.

Anna Louise Genovese at Tor put the following note in her Livejournal: Ah, almost forgot: I am now looking for erotica. Not just NC-17 romance novels, but erotica. Or, rather, "romantica" - the sort of erotica that has a vague semblance of a plot, and also a happy ending.

Paranormal and non-paranormal, contemporary, historical, futuristic, totally kinky or more vanilla, threesomes are okay, blah blah blah. If you're not sure, just submit it and I'll read it; the worst I can say is no.

70,000 - 90,000 words. Post submissions only - three chapters, a 2 page synopsis, and a cover letter.

No queries, please, as they tell me nothing about your ability to write narrative.

Spread the word! Yay!

Anna Genoese is great--she's the editor at our conference last year who had me tempted to change Jack into a werewolf on the spot so I could pitch to her.

The crazy thing is I now think a Peninsular War werewolf story could be really, really cool if done right. And I'd pitch it to Tor in a heartbeat. But that's for another day, another project.

Am I an idiot for believing that a bunch of fanfic with a proven and eager audience of a couple of hundred people is a better use of my skill than attempts to pitch stories to people who don't know me from Eve? It's not the money. There are people out there who talk about my stuff amongst themselves and write me thoughtful emails commenting on what's going on and what might happen next.

Even if published, there's no guarantee I'd sell. But there are people out there right now who get excited when they see something new I've written.

You're not an idiot at all, IMO--I think it's a question of what you want to get out of writing. It sounds like fanfic satisfies that for you.

connie, your mileage will definitely vary. I don't write - fiction, fanfic or anything else - because I want or need the excitement. I write whatever happens to come out because it wants to come out. One of my own personal favourites never sold in the US; much as I'd like to see it come out here, instead of just in Europe, that's neither why I wrote it or why I love it.

If the feedback and excitement are the primary pull - and that isn't a value judgement, because eagerness and feedback are way cool - then an immediate eager audience is a major, major rush.

As Susan says, it depends on what you want to get out of writing, and also on why you write in the first place.

The only problem with Tor is that they're legendary for how slow they are. Not only in response, mind you - they're slow on every level. They take frickin' forever.

Am I an idiot for believing that a bunch of fanfic with a proven and eager audience of a couple of hundred people is a better use of my skill than attempts to pitch stories to people who don't know me from Eve? It's not the money. There are people out there who talk about my stuff amongst themselves and write me thoughtful emails commenting on what's going on and what might happen next.

Connie, I'm exactly the same sort of idiot, so you're in good company.

so you're in good company

Yup.

I want everything. And if I don't write, I hurt people.

Erika, that is the best thing I have seen in a very long time. Can I tag?