It's the *process* of having to unravel the pages for it that I'm finding tiring in the short-term.
Oh, I hear that - trust me. When Ruth offered to buy "Weaver", she did it on the basis of 213 manuscript pages, written with alternating chapters telling the modern story and the 19th century story. She offere with the caveat that I lose the entire 19th century story and rewrite it so that the modern characters did all the discovery. As she put it: "The interesting thing about these ghosts? Is that they're dead. It's the modern characters who make the book."
So yes, I do get the sudden drop at the pit of the tum, the whole "oh, shit, I have to do what...?"
But the book was a bazillion times better because of it. And the other result? Concentrating on the modern characters allowed it to become a series, rather than a one-off.
And, much like my social life, I have to do most of everything one-handed.
And, much like my social life, I have to do most of everything one-handed.
choking
Has anyone told you, oh internet wife of mine, that you are EVIL?
"I haven't been evil for a very long time. Why does everybody keep telling me that?"
This isn't creative writing (much) but I am starting the scary process of sending out covers and resumes for teaching jobs.
Would anyone be willing to take a gander, for proofing, ideas, whatever? Feedback is SO good.
Erin, you can send it to me if you'd like. Profile addy is good.
Erin, I'd be happy to as well.
Kristin, insent.
Susan, thanks so much. I was following the one page resume rule; is that rule now dead?
Well, it's more a suggestion than a rule. I know when I've been on the hiring side of the desk, I'd rather look at an easy-to-read 1 1/2-pager with nice bits of white space than a crowded 1-pager. It'd be different if you were two years out of undergrad and had a long resume because you'd listed every last little activity you did in college and high school and went on in great detail about your burger-flipping job when you were 16, but yours looked to be relevant info.
