My sister had a reaction kind of similar to Jilli's - she's not arguing that it wasn't a good narrative choice, but that Wash's death really affected her ability to enjoy the movie as a whole. Some things just hit in a really emotional place that can't be reasoned with.

Um, not that she didn't sit next to me for a second time on Friday squealing and jumping and gasping all along.

I got back 2 hours ago from the movie, which I liked quite a lot. I laughed, I almost cried when the dinosaurs on the console were panned, and cringed at the violence. (Although not the River's balletic kick-ass violence because the gracefullness was wonderful to me.) I was more irked by Mal's "you're only my crew if I say so", because it seems SO contrary to earlier sentiments, than I was the River escape retcon. Much of the other changes I chalked up to time passing, but for some reason the crew thing really bothered me. I hadn't necessarily connected Book & the Operative as possibly having similar careers. It makes sense, although I wouldn't mind having visual confirmation of that.

I think I'm sometimes easy to please in terms of movies, although I do have to be in the right mindframe. This worked well for me. It got my adrenaline pumping, and violence was tempered by humor. And that dress! I don't think I've ever seen anyone wear a dress quite so well.

eta: dinosaurs in this instance are plural, and not possessive.

I was more irked by Mal's "you're only my crew if I say so", because it seems SO contrary to earlier sentiments, than I was the River escape retcon.

That was definitely the hardest bit for me to swallow.

I liked the movie quite a lot. I was expecting it to be somewhat different from the show, and I was happily willing to make the trade. Not even a trade, really. I still have the show. I think it did make me re-mourn for the seasons of TV I wish I'd had, but that didn't detract from the movie for me.

I thought Summer Glau was terrific, and I was emotionally engaged in what was going on with her. I thought the hologram reveal was really well done.

I was oddly pained at seeng Serenity dressed up as a reaver ship, and I was really surprised by how hard it was to watch the ship get torn up during the crash landing. I knew I liked the ship, but I hadn't realized how much I'd bought in to Serenity as the tenth charachter. Go figure.

Wash and Book. Heartbreaking. Book's death served the plot more, and Wash's was more for the gut-punch, but both of them worked for me. I would totally go back and push Wash out of the way if I could, though. But I've felt that way before about characters, and I think that's a testament to the creators of a character - writer, director and actor if it's not a book.

Thought NF did a great job, too. He delivers the angry and the funny well.

I probably have nitpicks, but, eh, I really enjoyed it overall.

Though, OK, I did go back Saturday specifically to focus on Wash and be able to watch the rest after he died without the gut-punch effect. Hmmm. So, while the killing of Wash isn't a problem for me narratively, the execution of it was a little too shocking for me to regain my equilibrium to watch the rest of the story fully engaged the first time. I don't really know that killing him another way would have kept me fully in the movie, though. Then again, it did ensure that I'd go again on Saturday, so...

Also, I thought the ship looked cool.

The context of my answer was about not killing off a beloved character and breaking your heart.

Ah, right. In which case I tend to agree with you: if you trust Joss not to bring the pain, you're clearly not watching the same writer I've been watching.

I feel like the 2200 screens depressed the Serenity box office receipts, making it look less successful. I hope that word-of-mouth will work to give it strong legs, but I'm afraid that opening weekend is such a powerful influence these days.

My sister had a reaction kind of similar to Jilli's - she's not arguing that it wasn't a good narrative choice, but that Wash's death really affected her ability to enjoy the movie as a whole. Some things just hit in a really emotional place that can't be reasoned with.

nods

The best other example I can think of is the Buffy episode "The Body". I think it's a solid, very well-crafted story. I don't think I will ever be able to watch it again.

Wash's death hasn't made Serenity completely "Never again!" to me, but it may be a while before I will feel comfortable watching the movie.

I think the reaction Wash's to death is interesting. There is something about the commonality of response that seems - if not unprecedented at least - distinctive.

I'm still convinced that it has something to do with the kind of intimacy that comes from an established television character. That your relationship to a character in a series is different than what you'd have with a character in one novel or one movie.

It mostly reminds me of how people reacted to Tara's death. (Which is mostly making me rethink my opinions about the Kittens - not dismiss people who are being so affected by Wash's death.)

I do think it has something to do with that character being the entry character into that universe. I don't think people would feel betrayed or slapped in the face unless it felt like they were perhaps uninivited to that universe. I think possibly that's why the Kittens responded to Tara's death as they did - many of them started watching Buffy because there was a healthy lesbian relationship in it.

I don't see Book's death as the loss of Book's story. All Joss would need to do, is bring in a new character from Book's past to interact with the crew. Bringing RG back for flashbacks is totally appropriate, or even a younger actor (like DeNiro for Brando, in Godfather 2).

Wash's death was a gut punch, but you do have to kill your darlings. There's no other way I would have felt terror for each and every BDH, watching the gang make a last stand against the reavers. Nobody was safe.

I was shaking tiny fists at Joss each time one of 'em got shot or stabbed thinking, you just better not...

terror

I was shaking tiny fists at Joss each time one of 'em got shot or stabbed thinking, you just better not...

Wolfram is me. "Oh no! Not Kaylee! Oh no! Not Simon! Oh no! Not Zoe!" I was well and truly terrified we'd lose another one. One of the downsides to having such a large cast is that they are all more vulnerable.