Ladies, the pretty is only the half, I'm tellin' ya. Brosnan has a highish tenor speaking voice, it can be caramel-smooth, true, and very nice, and when he gets a hint of his Irish on, it's a pleasure.
Liam Neeson has a wonderful deep baritone, fuzzy, warm voice that just wraps around you like a woolen plaid in t'heather, but there's a brogue, not a burr. Nevertheless, it's lovely, intimate and yum.
Clooney has an ordinary voice, which in intimate moments is so full of laughter and light that listening is as heady as drinking champagne.
Colin Firth has a nimble voice that ranges from low tenor to baritone, skips lightly over a wide and intricate range of emotion, and can arrest one's heartbeat with the hush before a word.
Johnny Depp has a uniquely random, again, ordinary tenor voice, but he's learned to do things with it: take on effortless accent and dialect, deliver intonations of emotion so finely gradiated they can barely be measured except in the response of the listener.
John Hannah, who has come up in recent days in connection with that Auden eulogy, has a light baritone speaking voice, and a Scottish burr to strip the very defenses of myself and many another susceptible female.
Sean Bean's voice? Is sex.on.a.stick. Very very nice indeed when he's being mannerly and upperishly class Brit, dead hot sexy in his natural Yorkshire. Deep baritone, with a rasp to it that raises all the hairs on the back of the neck and the small of the back, turns the sexual radar dish in his direction and awaits further instructions.
So far O/T it's ridiculous, unless Seattle and San Francisco plan to add romantical readings to their respective pimpage, but you guys started it.