Just saw the finale last night! Whew. Catching up from approximately forever ago:
So we don't really have any idea where Ethan came from? Because he's young enough to only be offspring or a more recent wreck. And I thought it funny that they didn't mention anything to Danielle about Ethan's death.
Yeah, I was wondering about this as well. What, if any, was the connection between Danielle and Ethan? Were they working together to take Claire's baby, and if so, does that mean Rousseau was/is in cahoots with the Others? Or were they both trying to take the baby for different reasons, and at different times? (My memory of that episode is fuzzy.) Was Ethan one of the Others? Was he taken as a child from an earlier wreck and brought up among them?
I agree that the people on the boat who took Walt must be the Others, but as someone (DebetEsse?) said upthread, they probably aren't the masterminds of the operation; I don't get the sinister, soon-my-electro-ray-will-destroy-Metropolis kind of evil genius vibe from them that I think the Keeper of the Island has to have. I don't think they have much to do with the hatch or the InvisoMechasaur, for example.
Okay, so the Black Rock was sailing from Mozambique with slaves aboard? To where, and how did it end up in the South Pacific? Seems like if it was headed from Mozambique to South America, even to the western coast, it would be faster to go west rather than east, right? That's the only place I can think of where a ship from Mozambique that ended up somewhere between Australia and the Americas would have been bound.
ita wrote:
As for slavery -- they posited it went out of Mozambique, and was therefore not part of the standard American slave trade. I don't know anything about the style of ship, but that is more important than the dates of slavery's end in this neck of the world. Plus -- the slaves were for mining, and that's TOTALLY roomy for a Middle Passage hold.
I don't know much about the history of the slave trade--what's the route of the Middle Passage? And why is the style of ship significant, or the fact that they were intended to be miners?
Also, damn, but Oceanic Airlines has the roomiest, most comfortable airplanes I've ever seen. I especially liked the bit with the airline employees carrying Locke down the vast, wide aisle and setting him down swiftly and easily in his amply-sized seat.
Oh, and from the Salon review:
Once upon a time, a month ago, these people were strangers, the [airplane] scenes seem to be telling us -- and they were nicer to each other then.
Funny, but I got the exact opposite feeling from those scenes, apart from small touches like the Walt/Hurley moment. (And I love that the mystery of who brought the polar bear comic book has finally been solved! Makes sense that it was Hurley.) Anyway, I thought the general tone of the flashbacks was "look at what jerks these people were"; I definitely thought that by contrast, several of them seemed much happier--or at least nicer--on the island (i.e. Walt and Michael, Sun and Jin, Shannon and Sayid, and Charlie).
A couple things that bugged me: I thought the Bob Marley bit between Sawyer and Michael was kind of silly, especially because Michael was all, "Wait a minute, you know Bob Marley?" and dude, who does not know Bob Marley? Also, I thought Claire's scenes felt flat, which was a little surprising, since I generally think she's been a decent actress on the show. But then again, her scenes were written to be as maudlin as possible, so maybe the blame isn't hers alone.
The good parts: I laughed out loud when Arzt blowed up real good. So long, annoying redshirt. Hurley's flashback was probably my favorite part of the episode. I even cheered when he gave the gate agent that big hug. I want Hurley to be my friend (except for the part where that means I'm likely to die in a hideous accident). Also, DDK on the boat, with the curly hair and the sun-bronzed skin and the wind in his face, was one of the hottest things I've ever (continued...)