Now. Being close to the earth as I am, I will be watching the gender issues dynamics. It wasn't too terrible tonight, but given the nature of the show, I'd want to step lightly.
Yeah, that tweaked me just a little. It's funny, huh? I know Tim from here at least, and trust him, but it's sort of like when Joss' Bad Daddy issues keep popping up. Or I guess, Hitchcock's cool blonde thang. Sorry Tim.
I wonder what's tweaking me? Rebecca doesn't play as strong right off. Not like Buffy going into the alley and then the overhead shot of her doing the handstand on the pipe. That's iconic. The images that resonate are the creep man-handling her out of the train, the fucked up paternalism of Webb; the white-knightism of Paul; her pulling her gun on the wrong guy.
So yeah, she's allowed to be herself, that character, and fuck up. And yet and yet....how much time before we see her be that strong person (not told so by Webb). Already she's primarily defined by her victimhood and the child abduction. She could've used a Fred-with-bloody-fist scene at least.
Purely on the level of narrative strategy, I wonder if its worth the play to go for the arc (character moving into their strength) at the expense of the first impression (iconography/myth/impact/identification). I trust that I'll be satisfied with the character arc by the time the story has played out, but first impression felt a little sour.
And it wasn't the acting. I thought Rachel was good.
Just thinking out loud.
Loved the Allyson shout-out and the Angelesque timelapse photography. Missed the Wolfram Security SO.
Not too gory at all. Why are they all having hissyfits?
I liked the plot turns, but my credulity was strained on several points: killer is in-house; killer is manipulating a special needs panty sniffer; victim is in-house. WTF? "This time it's personal!"
I think you get one unlikely scenario like that - the rest is just jerking the plot.
Thought the dialogue was a little overripe at times. Same thing P-C noted, "Gift born in darkness..." blah blah.
Also, the whole serial killer/profiler pop mythology feels a little played out to me by now. How long ago was it I first read Red Dragon anyway? That was in the 80s. Since then, SotL, Profiler, Millenium, gradually diminishing shadows of FBI stuff. Even hanging a lantern on Clarice Starling didn't diminsh that.
Oof - that all sounds negative, but those are really just quibbles. It had all the Timmy virtues; a well-crafted narrative (by which I mean the integration of exposition with character revelation, plot turns (despite some straining at the leash), pilot type set-up, characters revealed by their actions.
I'm in.