Federation President Barry Fife wants you to know that the future of ballroom dancing is very serious indeed, Plei.
Jayne ,'The Message'
The Minearverse 3: The Network Is a Harsh Mistress
[NAFDA] "There will be an occasional happy, so that it might be crushed under the boot of the writer." From Zorro to Angel (including Wonderfalls and The Inside), this is where Buffistas come to anoint themselves in the bloodbath.
have almost no chemistry with each other
That was a problem. I just liked the humor. That movie and Priscilla, Queen of the Desert are two of the best movies to come out of Australia that I've seen.
I always thought Juliet was a wuss, no matter whose version you saw, inlcuding the original Shakespeare.
I've seen one version of it that didn't make me want to claw my own eyes out and/or just spork the hell out of R & J, and that's the 1994 British TV version with Geraldine Somerville and Jonathan Firth, who both kicked so much ass in the roles that I was able to overcome my dislike of the actual play.
1994 British TV version with Geraldine Somerville and Jonathan Firth, who both kicked so much ass in the roles that I was able to overcome my dislike of the actual play.
Takes notes.
I'll have to check it out. I always feel a little disloyal to Bill, not liking R & J.
I always thought Juliet was a wuss, no matter whose version you saw, inlcuding the original Shakespeare.
Actually no. Having read and taught the play more than I've ever wanted to, I've had more opportunity to think about than I've ever meant.
Romeo is the character who vacillates and can't decide. It's Juliet who goes through a pretty radical transformation from very obedient daughter to the instigator and plan maker. It is she who forces action forward.
Federation President Barry Fife wants you to know that the future of ballroom dancing is very serious indeed, Plei.
Y'know, it just occurs to me as I choke on my own laughter here that Strictly Ballroom and Wonderfalls have a similar sort of tone, at least in my head.
And, R&J is my least favorite of his plays. It's so pointless and stupid and crappy.
Currently, though, there's a great adaptation (as opposed to conceptuatlization) of the play being performed at the Autry, called "Kino and Theresa." It's placed in the context of a 17th century Peublo and the Spanish.
Also, instead of looking at the idea of identity and communal obligation versus personal freedom, I'm thinking about teaching it next time as a play about responses to violence instead. A more entertaining lens at least.
It's so pointless and stupid and crappy.
I think that's my main problem. I just think how stupid and paint *everyone* with a coating of stupid, whether they are or not.
It did. Fingerpainted whimsical cynicism. Sort of like riding a carousel, except instead of horses, you realize your legs are wrapped around a side of beef from a slaughter house while that crazy funhouse music plays. That expression on your face right before the silly grin turns to horrified disbelief is sort of wonderfallian, I think.
Though, it's possible I should finish this cigarette and go to bed.
Though, it's possible I should finish this cigarette and go to bed.
So I finished my lesson just in time to tell you good night, then?